A Quote by Gary Rossington

I sound like an old bullfrog when I sing. — © Gary Rossington
I sound like an old bullfrog when I sing.
I find it incredibly annoying to just go out and sing the old stuff and write songs that sound like the old stuff.
I like how you sing that song. You sound like you're really old.
I don't really sing... I just hear notes so I know what it's supposed to sound like, if that makes sense. You ever hear someone try to teach a choir how to sing, but they can't sing? That's me.
John legend is a nickname that somebody started calling me a while ago and part of it is 'cos I sound like an old man when I sing.
I don't like to sing things that just sound like they're going straight down the tubes, and they're circling the drain, and there's no hope. It doesn't feel good in any way to sing.
I can't just sing karaoke; I can't do anything to try to sound like other people. I have to find what I naturally sound like and emphasize that.
There were times I used to go to parties when I was, you know, like 15-, 16-years-old, and I'd always bring my guitar, and all my friends would be like, sing one of the Smokey songs. And everything I sang was his music, and I could sound just like him.
These is old blues / and I sing em like any woman do. / These the old blues / and I sing em, sing em, sing em. Just like any woman do. / My life ain't done yet. / Naw. My song ain't through.
I know I can sing; I can sing, and I like how I sound.
I used to sing like Nat King Cole. I mean he was the guy when I was comin' up, and you know, man, people used to say of me, "Damn, he sure do sound like Nat King Cole." But there was a day, and luckily for me it was early, when I woke up and asked myself, "Well, when are the ask me to sing because I sound like me?" So my advice is, never do anything that you don't like.
I'm not really into alternative country - I'm into Patsy Cline, who lived down the street from where I lived, and old Dolly Parton records, Kitty Wells and that old stuff. I like country music. I also like Eric Church, who has a great new sound but also holds onto that old sound.
Everything I've ever done is out. I don't have boxes of unreleased stuff. There's nothing in the files. I can never keep anything unless I don't like the sound of it or it didn't work. If I can sing it to an engineer, I can sing it to anyone.
Back when we were more in the industrial vein, it was almost like I had to hide the fact that I could sing. Now, I've just sort of embraced the fact that I can sing and I'm not a screamer or hiding it behind any effects, this is just what I sound like.
I have eyes like a bullfrog, a neck like an ostrich and long, limp hair. You just have to be good to survive with that equipment.
Somebody said I sound like an old lady, and I was really insulted by that. I'm trying to sound like Skip James and Smokey Robinson and Marvin Gaye.
We didn't want to sound like an old and crusty financial institution. We wanted to sound like we were fast moving and that we had this killer technology that was also safe.
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