A Quote by Gary Rossington

We were kinda rebels. From the wrong side of the tracks. Down where we were raised, it was a tough town. — © Gary Rossington
We were kinda rebels. From the wrong side of the tracks. Down where we were raised, it was a tough town.
I was living on the wrong side of the tracks in Evanston, Illinois, in a home for boys. We had these Jackson 5 records. I really related to their voices - they were about my age, but they were doing it.
It is a quaint comment on the notion that the English are practical and the French merely visionary, that we were rebels in arts while they were rebels in arms.
If you belong to an in-group of good, or saved, or elite people, you can only know that you’re in because someone else is out. You cannot live on the right side of the tracks without there being a wrong side of the tracks, so you ought to be grateful to the outside for having the privilege of being on the inside.
When I made '1983,' there were a bunch of tracks that were in the early drafts that didn't make it because they just sounded like tracks for rappers, and that's not really the sound I look for when I produce my own albums.
When I was growing up, it was Clint Eastwood, it was Harrison Ford and Steve McQueen - these guys were tough. They were leading men, but they were also tough and physical.
When we got down from the ambulances there were sharp cracks about us as bursts of shrapnel splashed down upon the Town Hall square. Dead soldiers lay outside and I glanced at them coldly. We were in search of the living.
I was raised a right-wing Republican and was about eighteen when I had to admit to myself that in regards to the great domestic crucible of the day, civil rights and racial justice, conservatives were on the wrong side historically and morally, and that it took too much intellectual and psychological jujitsu to pretend otherwise. I didn't want to pretend anymore; I wanted to be on the right side.
I was a big fan of a writer named Jack Vance, a science fiction writer. He always wrote about these guys who were either going down a river in a strange world or would be in this one land where people acted really strange, and he'd have these interactions with them that were strange - he'd usually get run out of town or something. Then he'd end up in the next town over where the rules were totally different. And I love this stuff.
To kill the misconception, I don’t think the songs we wrote before ‘Danger Days’ are bad songs by any means. In fact, I kinda think some of them are among my favorites we have ever written. A lot of them are kinda f—ing rad… they just so happened to have been created in the wrong place, at the wrong time, and we as their parents were not ready to raise them just yet… and so they sat and waited.
Where I went to high school at was a predominantly white town, and I definitely got pulled over a number of times for driving in the wrong car on the wrong side of town. As you get older, you start to realize that at any moment, there could be a trigger, and that could be you in that situation.
The wrong side of the tracks is livelier.
Kay Ivey is just a regular Alabamian born and raised in the country - small rural town, Wilcox County, Camden, Alabama - and we grew up working hard on the farm and we were raised to help folks around you and do for others who need some help.
We were anything but 'America's sweethearts.' On the inside we were total sassy rebels.
I grew up in San Francisco. My parents were not hippies; they were writers. They were very active politically, but on the intellectual side, not on the "taking drugs in a field and listening to the Grateful Dead" side.
I fell for a boy from the wrong side of the tracks.
I see someone who is an adult now, but when you were a child you actually had a seer anointing and you used to see into the realm of the supernatural. It was the realm of the invisible kingdom of God. You saw things on that dark side and things on God's side and you were put down for your seer ability and so you shut it down.
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