A Quote by Gary Shteyngart

In the first few pages, Kundera discusses several abstract historical figures: Robespierre, Nietzsche, Hitler. For Eunice's sake, I wanted him to get to the plot, to introduce actual "living" characters - I recalled this was a love story - and to leave the world of ideas behind. Here we were, two people lying in bed, Eunice's worried head propped on my collarbone, and I wanted us to feel something in common. I wanted this complex language, this surge of intellect, to be processed into love. Isn't that how they used to do it a century ago, people reading poetry to one another?
The two mistakes that come to mind are people who introduce a flood of characters in the first few pages. Where the reader has to stop and get out a flow chart and has to figure out who is who. And you just can't do that - introduce the first four generations of a character's family in the first chapter. You can introduce four or five characters at the most in the first chapter. Another mistake is to use big words that are not normally used in conversation to try to impress folks with your vocabulary.
From the very start in 1969, I wanted to be a part of helping our Special Olympics athletes succeed. I wanted to be on Eunice Shirver's team as another set of eyes, another set of hands and a heart working to be there for them, finding a way to help them be the best they can be.
I really, really wanted to write. I loved language. I loved literature. I loved reading. I never read a foreign language, I'm afraid, but I loved Flaubert. I loved the 19th-century classics. I love Thomas Hardy. I wanted to be a goof on a bus, but I wanted to write more.
I wanted a new experience, to learn another language. I wanted to be different. I wanted people to realise I'm taking my coaching career very seriously. I wanted to create my own pathway.
When The Daily Muse initially wanted to launch a job board, our first ideas were insanely (and needlessly) complex. We wanted to integrate with social networks, gather rich personal data to build predictive algorithms, and put together numerous cool visualization tools before launching out to the world. We were just sure users would love it!
... I'm the fortieth-ugliest man in this bar. But so what! So what! What if someday she lets me kiss each one of her freckles again? She has like a million. But every one of them means something to me. Isn't this how people used to fall in love? I know we're living in Rubenstein's America, like you keep saying. But doesn't that just make us even more responsible for each other's fates? I mean, what if Eunice and I just said no to all this. To this bar. To this FACing. The two of us. What if we just went home and read books to each other?
I love writing pop songs and I love the challenge. I love melodies and wanted it to be classy. I wanted it to have some substance because I feel as if I have a lot of things to say and wanted it to have something to it.
The growth of my love story had been gradual but my success had always existed and both coupled together formed a deadly combination that was detrimental to our love. I wanted people to love me. She wanted them to leave her alone.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
I wanted to know if we could live in that state of love, not just every so often, but as an ongoing reality. The answer is YES. There are people who are doing just that, and I wanted to share with the world how they're consistently living in a state of love.
When I was a film critic, the reason I kind of found it disenchanting was because the things that I wanted to talk about were the ideas in the movie, the theme of it, and contextual elements that weren't necessarily central to the story. But the only thing people really wanted was a plot description and how many stars I'd give it. It didn't matter how much effort you put into writing a piece, they looked at it solely as a consumer's guide toward going or not going to films.
I wanted to say what wasn't being said. I wanted to give people a real story. I wanted people to know people like me exist in the world.
I love people. I wanted to be with the people. I wanted to give something back what I get from football, because God gave everything to me.
There's a few movies I wanted to do, and I didn't get to do them partly because they wanted me to be part of the horse and pony show, getting the money, and I'm just not doing that. There's a few movies that people wanted me to do, but they were too safe.
A few years after my first son was born, he wanted to know how we chose his name, so I began reading him the story of Noah's Ark.
Stan Lee always wanted to do another syndicated strip while we were doing Spider-Man. I was working two jobs, and he wanted to make time to do another strip. He wanted to do a humor strip. I said, 'Stan, I barely make it through the week now. How the hell am I going to do another strip?' He said, 'Oh, I'm sorry, I always forget it takes you longer to do a page than it takes me to do twenty pages.'
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