A Quote by Gary Snyder
Today we are aware as never before of the plurality of human life-styles and possibilities, while at the same time being tied, like in an old silent movie, to a runaway locomotive rushing headlong toward a very singular catastrophe
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Time is the silent, never-resting thing ... rolling, rushing on, swift, silent, like an all-embracing oceantide, on which we and all the universe swim.
That great mystery of TIME, were there no other; the illimitable, silent, never-resting thing called Time, rolling, rushing on, swift, silent, like an all-embracing ocean tide, on which we and all the Universe swim like exhalations, like apparitions which are, and then are not: this is forever very literally a miracle; a thing to strike us dumb,-for we have no word to speak about it.
I'm not very aware of styles. We never talk about styles before we start shooting, or even during shooting, because I think the film will bring you there.
Human consciousness is now being drawn inexorably toward the same issues, the gaze of collective attention focused like never before.
One wants more time, more youth. That is it. That is all one asks for - nothing but that, a little more time. Hear it running by! Listen! In the night, in the morning, at noon, at even, rushing by, silent, stealthy, trying to hoodwink you by the fixed appearance of things that seem not to change; but never stopping. Oh, to stop it! Oh, to get it back! Oh, to dig one's toes in and refuse to be rushed headlong towards the brink!
Evangelicalism as a movement is rushing headlong toward theological ambiguity, which is another way of saying apostasy.
Writing stretches me to my limits and affirms my potential, all while making me aware of my flaws, my mortality, and how much more I have to learn. It's a singular feeling, both spiritual and corporeal, and I like to think it sparks the same inspiration and curiosity in a child that it does in an old man.
I was always the hero with no vices, reciting practically the same lines to the leading lady. The current crop of movie actors are less handicapped than the old ones. They are more human. The leading men of silent films were Adonises and Apollos. Today the hero can even take a poke at the leading lady. In my time a hero who hit the girl just once would have been out.
The whole of life is a journey toward youthful old age, toward self-contemplation, love, gaiety, and, in a fundamental sense, the most gratifying time of our lives. . . . "Old age" should be a harvest time when the riches of life are reaped and enjoyed, while it continues to be a special period for self-development and expansion.
It was many years ago that I got out of a crewtruck in the national forest and ran toward a large glowing object hovering in the darkening Arizona sky. But when I made that fateful choice to leavethe truck, I was leaving behind more than just my six fellow workmen. I was leaving behind forever all semblance of a normal life, running headlong toward an experience so overwhelmingly mind-rending in its effects, so devastating in itsaftermath, that my life would never—could never — be the same again.
I mean the price of our technology may very well end up being our humanity, so I think you got to have that balance. Personally I try to do one for one if I can. Do a movie, do a play, do a movie, do a play - while at the same time writing and being in that cycle.
Most acting today on television is like a locomotive on a track. Everybody knows what they are doing. The problem of writing today is everyone sounds the same. We speak differently. We think differently. People are different. And that's the beauty of it.
Science works because the phenomenon being described can be relied on to remain the same. Even in quantum physics, where phenomena are changed by observation, the way in which observation interferes is regular and falls within a limited range of possibilities. Human culture, however, has the nasty habit of never staying the same for very long.
For me, being Christian Armenian, born into the Islamic culture in Iran and then, at the age of 13, being sent to England and embracing the English culture and becoming part of so-called swinging London and the era of euphoria and celebration that the '60s represented is very critical. It was a moment when, for the first time, the business of internationalism was being effectively represented-in music, art, cinema, design. Before that, everything was directed toward the old industry, the old school, the old format, and there was no room for varieties to evolve.
While I tend to favor styles that are glamorous, old Hollywood by night and very sleek and tailored during the day, I'm mindful of the fact that I'm 27 years old and try not to make that feel dowdy or old.
So, it's a delicate thing, but at the same time our producers and writers are very much aware of the potential downfall that could ensue so I think they're going to be very careful about how they do that. At the same time I don't think they want to leave the characters in the same holding pattern that they've been in for a while. I think that they're all trying to put the characters in a different situation.
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