A Quote by Gary Vaynerchuk

Remember the guy in the 80s walking around with a boombox on his shoulder? Why'd he do that? Because it told a story about who he was. Expressing yourself is big business.
He already knew he could coach. All you had to do was look at each of your players and ask yourself: What story does this guy wish someone would tell him about himself? And then you told the guy that story.
My wife told me, "Listen, you have to do something big, beautiful story." I remember that I read The Shack script and I told her that there is a big message over here, and as a Jew, I read the script, and I didn't see anything that connects to religion. It's not about religion, it's about faith, it's about God, and I connected with it, because from my point of view, there is God in this world.
I remembered this one time that I never told anybody about. The time we were walking. Just the three of us. I was in the middle. I don't remember where we were walking to or where we were walking from. I just remember the season. I just remember walking between them and feeling for the first time that I belonged somewhere
It's probably why I'm a short story writer. I tend to remember things in the past in narrative form, in story form, and I grew up around people who told stories all the time.
Too many writers think that all you need to do is write well-but that's only part of what a good book is. Above all, a good book tells a good story. Focus on the story first. Ask yourself, 'Will other people find this story so interesting that they will tell others about it?' Remember: A bestselling book usually follows a simple rule, 'It's a wonderful story, wonderfully told'; not, 'It's a wonderfully told story.'
I try not to read about myself. Why would reading about yourself be interesting? You're only going to be told you're doing a good job and get big headed about it, or be told you're rubbish and get down in the dumps. What's the point?
I think it's funny, if you look at Brian Cage, the guy calls himself 'The Machine.' 265 lbs and spends a lot of time in the gym and eating chicken breasts. The guy comes in Impact Wrestling and instead of going after a guy like Moose or Killer Kross, who is he beating up? A bunch of guys half his size? Walking around like he's a big man.
Vera said: 'Why do you feel you have to turn everything into a story?' So I told her why: Because if I tell the story, I control the version. Because if I tell the story, I can make you laugh, and I would rather have you laugh at me than feel sorry for me. Because if I tell the story, it doesn't hurt as much. Because if I tell the story, I can get on with it.
'Lost Boys' is one of my all-time faves. I just thought it would be great to be a vampire. I remember this movie called 'Once Bitten,' which is about an '80s sort of power girl who became a vampire and was really, like, sexy. Hair like she was from 'Dallas,' shoulder pads, big earrings.
Who wants to kill you?” the guy asked. He was still looking over his shoulder, but his expression was puzzled. “There’s nobody there,” the girlfriend told me. “You’re making them think they can’t see you, aren’t you?” I said to Patch, awed by his power even as I despised his use of it.
Originally the film opened with Ryan in the doctor's office, being told his wife is dying. Then we see him walking the streets, and the story is told in flashback.
A story is ultimately a memory. It's important when you're telling a story to think about why this memory is a memory. You don't remember everything in life; you just remember certain things - so, why this one?
Hopefully, when people see 'Senna', they will understand why this inspirational story needed to be told, why it had to be made as a movie for the big screen, and why it is a film for everyone.
The thing about 'Bigfoot,' he's a big guy and he's agile for a big guy, but he's not that agile and he's not that athletic. In fact, being a big guy is probably his greatest asset.
I was born in the '80s, so I don't really remember it very strongly, but the music is so iconic. And so those artists - Madonna, Prince, Janet Jackson, Whitney Houston - you still hear those songs all the time. And there's such a distinctive style - the clothes, the shoulder pads, the big hair, the perm.
I remember in the '80s, Randy Travis was my guy. He's the reason I moved to Nashville, and I just loved him. But at some point when he was winning everything, you find yourself pulling for other people.
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