A Quote by Gary Woodland
For years, I felt like I was just whacking at the ball, trying to see how far I could hit it, especially with the driver. Whatever the coach I was working with at the time told me to do, I would just go along with it.
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The crazy thing is, the last club I ever learned to hit was my driver. My brother and I ended up being known for our distance, but we had no idea how far we could hit the ball because we hit it the same, and all of a sudden, we're going to tournaments, and we're driving the par-4s. At 10 years old, I was hitting it, like, 240.
This is many, many years ago. It was shortly after "Starman" I think. I don't know how close I was to getting the part. I met with [director] Penny Marshall and that's one that I knew would be a hit. It just felt hit-ish. But it's like you go to a store and you see a jacket and you go "I love that jacket" and you try it on and it's too big or too small for you and it's the only one they have. For some reason that part just didn't fit me.
I remember my father telling me that just like Troy, he could get me in with the water department where he worked in New York. He talked about how he could get me on the job, and if I stayed 25 years, I could probably work my way up to be a supervisor and how it was a good union and all of the benefits and that I was going to make $20,000 in 50 years or whatever it was. He couldn't see that far.
People always ask me how I can hit the ball so far, and I say, 'I just swing.' It's the coaches who first told me I had good bat speed. I was just swinging, and I guess it was fast. I'm pretty fast at everything.
I'm just looking at whatever moment I'm at, trying to tell a story that at that time feels like it needs to be told, like I want to see it and how I'm feeling in my life.
I feel like they would just be the funnest people. I wish I could have been friends with Michael Jackson, just because he had the most badass house of all time and I could just go out and go on amusement park rides and then he could teach me how to moonwalk.
In 'The Next Three Days,' even though it was a prison breakout movie, I was asking myself, 'What would I do? How far would I go for the woman I loved? How far would I go, and what would I do when the person then told me that they were guilty? Could I still believe in them?' So it was very personal.
I like to keep at my craft. I like to keep reading scripts, whether I'm in it or not because of the fact that what would I do in a certain case? How would this happen or how would that go? I like to keep working with my mind, so when I do perform I have something to perform with, and it's not just like trying on new clothes. You're trying on a suit, but you know where the heck the pants go.
In Twenty20 it's not always about straight drives and high elbows. It's amazing how far you can hit the ball. I've always been able to hit the ball far but not consistently like I have in practice over here. I'm enjoying it so much.
Like other undocumented people in this country, I want a green card, and I want a driver's license, and I want a passport. What, to me, is the immigration bill? It's a green card, a driver's license, and a passport. That's what it's about to me, tangibly. That I could see my mom. That I could drive. Is there anything more American than driving? That I could get a green card and be able to - right now, I'm just like freelancing and working as an independent contractor. It's hilarious. I'm unhirable.
I took it upon myself to be more aggressive. I wanted the ball. Coach gave me the ball and I just tried to attack (and) make plays, just take it to the rim and see what happens.
I felt like a coach. I just wanted to do what I could as far as helping guys understand what was going to happen early and get the best feedback I could and be a great teammate.
My coach keeps telling me to say I'm not going to retire. I should just go through the motions and see what I feel every year and see if I really want to do it, but personally, I want to do it, but my coach says just take your time, don't rush.
Guys would take runs at me even if I didn't have the puck. [On one occasion] my coach told me that the other team were told to hit number 21 as hard as they could the first period, so we switched jerseys.
Don't go changing to try and please me You never let me down before Don't imagine you're too familiar And I don't see you anymore I would not leave you in times of trouble We never could have come this far I took the good times, I'll take the bad times I'll take you just the way you are Don't go trying some new fashion Don't change the color of your hair. [...] I could not love you any better I love you just the way you are.
Jim Courier did a great job of showing the rest what is possible. He could only hit forehands, but almost every one could have been a winner. But Jim struggled when others learned to hit the ball just as hard. Many look at Andy Roddick as being a similar animal, and it could well be in a few years everybody hits the ball as hard as him.
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