A Quote by Gaston Leroux
She's singing to-night to bring the chandelier down!
Related Quotes
It's great, but there is one problem. She doesn't sleep. At night she seems to turn into a vampire. She wakes up every night five or 10 times, asking for things, singing, calling out.
If you think of 'Chandelier,' Sia's singing her heart out about all those moments before she got sober, and that's one way to convey emotion and make people hear every word.
I was watching Ashlee Simpson on Jay's show last night... She was really singing, and I was saying, 'Bring back the lip synch'... And it struck me that Ashlee Simpson is a lot like George Bush - because she wouldn't even really be in the big leagues if it wasn't for family connections, and she's in way over her head. And she doesn't know what to do. And she blamed her band.
I did once shatter a chandelier. I was singing with my college choir in Wales. I was the soloist and I hit the high note and there was this massive bang and all this glass came down from the ceiling. I'd like that to be my party trick if I can perfect it.
I think that there's a strong crossover in that Janis, studying the visual arts, was learning how to break it down into details and see how to get the expression that we wanted. And her visual art is emotionally expressive as her singing was. And, I think, when she switched over to singing, she already knew that it was something serious that you broke into pieces so she developed the ability to break it down and learn little riffs that she could throw in here and there.
Occasionally I play the music for my mother when she demands to hear it and she always just says, 'Who is that singing? I don't like the singing.' And then she says 'Who's doing all that bumpety-bump noise?' It's all noise backing up horrible singing as far as she's concerned. She's not a show-biz mother.
I love working with Angel Deradoorian, she's a joy to work with. She's fab at singing and she has a real... she has an understanding that's both intellectual and emotional about singing, that I think that very few people have.
Our shows have always been sort of an all-generations thing, people from 6 to 60. The other night, we played a show and we had a woman who was probably 70 to 75 years old, and she was there alone and she was singing every song. On the other end of the spectrum, there was a 7-year-old on his dad's shoulders and the dad is singing along.
My grandmother is the type of person, I'd be down playing cards in the park, and she'd take the dog and walk down to the park, like 10:30 or 11 at night. I was 12 years old. She'd come down yelling for me. I'd be embarrassed in front of my friends. She'd grab me by the hair on my head.
There she weaves by night and day, A magic web with colors gay. She has heard a whisper say, A curse is on her if she stay, To look down to Camelot. She knows not what the curse may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott.
Birds are settling down for the night, singing lullabies to their young.
My mom knew that I was gay. So she just came up to me in the kitchen one night, and she said, 'Justin, are you a homosexual?' And I said, 'Yes,' and that was that. She took all the steps, she went to talk to a family counselor beforehand to see how she should bring it up, and now my mom's my biggest fan.
I'm a very positive person, that's something that's like my character Savannah. She's very positive in everything that she does and I'm the same way in real life. If I feel like someone's trying to bring me down, I just walk away from it. I just ignore it because sometimes when that happens you can get so involved that it does bring down your day.
You know the one with the big ears? Wait a minute, he ain't my president, he might be yours, he ain't my president. You know that woman he had singing for him, singing my song - she's gonna get her a- whipped. The great Beyoncé But I can't stand Beyoncé. She has no business up there, singing up there on a big ol' president day singing my song that I've been singing forever.
But when she turned her back to the lights, she saw that the night was so dark...She could not see the stars. The world felt as high as the depthless night sky and deeper than she could know. She understood, suddenly and keenly, that she was too small to run away, and she sat on the damp ground and cried.
One night as I girl I spied my grandma and one of her sisters outside, holding hands and singing, "Sprites of the night are we, are we. Singing and dancing joyfully." It was witchy and wonderful because it meant there was power in joy. They were not afraid of the night because they were giggling. I am very interested in finding the surprising boundaries, for instance, where do joy and fear meet?
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