A Quote by Gautam Adani
I analyse in my own way, in very simple, no-jargon language. If somebody is talking in very complicated way, I never like that.
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At the piano, I'm able to communicate in a way that is very intimate and direct. My approach at music is a bit like talking to a friend. You don't have to be very complicated when you speak. If you say what's in your heart, it's usually very simple.
What is style? For many people, a very complicated way of saying very simple things. According to us, a very simple way of saying very complicated things.
Well, I believe that life is very complicated. And in a way, the only way you can show life in a truthful way is to show how complicated it is as an individual, but also your relation between a complicated life and the complications you have inside you.
I mean, the way I'm talking, it sounds like I'm - you know, I'm about to go out and sign up for the nearest seminary, and you'll never see or hear from me again. But it's a hard thing to talk about really 'cause I'm not at all sure myself about it. But I've got a very, very simple sort of outlook to it. Yeah, that's all I can say, really.
Most coaches' attention to detail is very good; it's their job. They have to analyse teams, and they have to analyse their own team.
I'm a storyteller, and as a story-teller, you see that each country, and therefore the language that it speaks has its very own way and very unique way of telling a story. And there's a lot to be learned from each country, and each language, and how they tell a story.
My brain is very simple. Like when you break everything down. I see things in a simple way. And that simplicity for some reason becomes funny to other people because they don't look at it that way.
I think that the drama of people rising up demanding their own freedom is one that resonates very deeply with America. I think that President Barack Obama has tried and would like to find a way to relate to the Arab Spring, but I think he also wants to be, rightly, very careful that we don't take it over. It is very important that they own this. He is trying to influence it this way but without, "We're so never going to go to the extreme of Iraq and putting boots on the ground again."
The virtue of binary is that it's the simplest possible way of representing numbers. Anything else is more complicated. You can catch errors with it, it's unambiguous in its reading, there are lots of good things about binary. So it is very, very simple once you learn how to read it.
I think there's something in common with the OSS 117 movies. The big difference is there's no irony in this one. It's not parody. I tried to make it very simple. It's a simple story, but to be simple, it's very complex in the way it's done.
When you used to be able to express yourself as an adult in your own language, or as I can do in English, for instance, it's sometimes hard to switch back to very simple talking, like I am forced to do in Finnish. So a real conversation, when I really wanna tell something, I can't do it in Finnish.
It's a very, very interesting experience to be talking to people who are such icons in their own right. When Adele came to a show, I was just talking to her, and at the time, I thought, 'I'm just having a chat with somebody.' But then I heard myself say, 'Oh, I was talking to Adele the other day,' and it's as strange as you'd imagine.
Acting's not particularly complicated. But the great thing is you can step into somebody else's shoes without dealing with the consequences. It's very therapeutic in that way.
I feel very grateful for the way I was brought up. I did not realise it then, but as I grew older and started writing and realised the material that was there was very strong, I felt very grateful that my life was complicated and that my identity was never clear but put me in a position that was always questioned.
My approach is to start from the straightforward principle that our body is a machine. A very complicated machine, but none the less a machine, and it can be subjected to maintenance and repair in the same way as a simple machine, like a car.
Our language - the way that we deal with most actors is we don't like to get very complicated because we don't want them to think too much because we find it takes them out of the moment.
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