A Quote by Gautam Rode
There are some projects which you just can't say no to, and 'Kaal Bhairav'... is one such show.
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Whenever I do a comedy show I still just read poems, some of which are intentionally funny and some of which are just bizarre. The mix seems to work well.
I choose projects that resonate with me on some personal level and projects that I'm afraid to do. If I'm afraid to do them, then I usually say yes, because it means that I'm not ready to go there and deal with certain aspects of the script.
The transaction cost approach maintains that some projects are easy to finance by debt and ought to be financed by debt. These are projects for which physical-asset specificity is low to moderate.
I suppose there must be some way in which I'm compelled to show some side of myself - or of people - that's paranoid and fraught and beleaguered and downtrodden, just as Tom Cruise wants to show that he's terrifyingly upbeat and terrifyingly heroic all the time.
Some people just don't want to put in the effort. I just show up and say some lines and I'm famous. Anyone living below the poverty line just needs to shape up or be shipped out, you know?
We're having so much writing some of the sillier stuff that never would have been on Mr. Show. And that's not a knock on Mr. Show at all, because it's my favorite comedy show of all time. Even before I worked on it. It's just really refreshing to write something so stupid and say, "We gotta do that."
Some types of environmental restoration projects are well-known; restored wetlands, for instance, or coal mine reclamation projects. Recently though, larger dam removal projects have started, a number of them in Washington state.
I see the hate, what some people say, but I just prove them wrong at the end of the day because I show everyone what I can do. Some people don't want me to succeed but you just have to take it on the chin.
Unrequited love," I'd say. He'd look at me sideways in that cunning way he did and say, "what about it?" and I'd reply, "it's not your color." Pithy. Just to show him that I'd noticed. Or maybe I'd show myself to her and say, "Guess I'm not the only one who uses humans around here." And then I'd summon some of Owain's hounds to chew off the bottom bits of her legs. Then she wouldn't fit just right into his arms. She'd be too short. It'd be like hugging a midget. Nuala- pg. 75
One has to say that they [Eleanor and Franklin Roosevelt] were pioneering to some extent. They didn't know that some of the housing projects that they were putting up for the poor were going to turn into crack dens and rapists' bowers and things of that sort, which they have since become. But you can't always foresee the future. I'm sure their intentions were the best.
I did a show in Germany, and some kid - he was disabled - he was actually in a wheelchair, and he came out to my show, and he couldn't get across to me what he was trying to say, and you could see that he was frustrated because he couldn't fully express himself, and I just felt like, 'Wow, he's just really passionate about me.'
Working on 'Laguna' was great because just being in production and shooting stuff and having to go back and relive some things, and there were some lines here and there that the producers would want us to say, and just kind of, you're forced to recreate moments, and just working on the show was so much fun.
I'm not sure that you can say definitively that some roles are better filled by consultants, but I would say that some projects are better handled by consultants.
Comedy is a weird thing. You have to understand, it's the weirdest thing you can do. There's no consensus. It's not like... People say, "I saw Saving Private Ryan, and that scene on the beach is just so moving." I can't imagine anyone who would say "I don't find that moving!" But you can show, whether it's Laurel & Hardy or the Three Stooges or Jiminy Glick In Lalawood, some people are going to look at it and say "That's the funniest thing I've ever seen." Some people will say "I don't get it." Who's right, who's wrong?
I choose projects that resonate with me on some personal level and projects that I'm afraid to do. If I'm afraid to do them, then I usually say yes, because it means that I'm not ready to go there and deal with certain aspects of the script. And that means that I need to do it, because the things that scare you only make you better and stronger.
The Divorce isn't like the Da Vinci Code of TV shows. I'm not saying only a secret society is going to understand divorce. But it is a very specific show. And I don't know if you looked at a lot of the press. There's been some unpleasant reviews. And I'm not faulting those people but, they're really just not getting what we're trying to do. Which is to say, look. That may not be some people's taste. And that's fine.
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