A Quote by Gautam Rode

There is no money in films, till the time you make it to a certain bracket. — © Gautam Rode
There is no money in films, till the time you make it to a certain bracket.
If your income on films or whatever you're producing using film drops below a certain level, then you don't have enough money to stay in business. People like to say that this is all just about making money, but if you don't make money, you don't make anything.
I am choosing films only to entertain people, but at the same time, if someone is putting their money into my films, I want that person to make money.
The black groups that boycott certain films would do better to get the money together to make the films they want to see, or stay in church and leave us to our work.
There's very few people who want to just make beautiful films that make money, when they can make films that make huge money.
There's very few people who want to just make beautiful films that make money when they can make films that make huge money.
I have refused money sometimes for a film. I have refused films when I felt that it was not for me. When it was just a job or just about making money, I said no. I wanted to make every film count, and when you are true to yourself, this gives you a certain integrity and a certain reputation.
If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.
This lifetime right now you have a specific destiny. You are destined to die at a certain time, to make a certain amount of money, to have certain associations and friendships.
I'm a middle-bracket person with a middle-bracket spouse / And we live together gaily in a middle-bracket house. / We've a fair-to-middlin' family; we take the middle view; / So we're manna sent from heaven to internal revenue.
You can't appreciate home till you've left it, money till it's spent, your wife till she's joined a woman's club, nor Old Glory till you see it hanging on a broomstick on the shanty of a consul in a foreign town.
If Hollywood can make films on insects and make big money, why can't we make films on Punjabi culture?
I'm not in the teenybopper bracket, and I'm not in the 30-plus bracket. The fan response has been really widespread, age-wise.
I never tried to make a cartoon for a certain age bracket. I just tried to make entertaining pictures. That's why they still play and why they play so well in foreign countries.
When I was young, it was easier to make films. It wasn't as expensive, there was more support. I found that I couldn't get the money to make films.
I'm deeply appreciative that many people have enjoyed my films, films that I made in my own style. The successes have helped me learn how to make films free of expectations and focus solely on the pure filmmaking aspect, without worrying about how much money it'll make.
Innovation comes spontaneously. I don't know if I've done anything new. If I have, it's just because I had begun to feel for some time that I couldn't stand certain films, certain modes, certain ways of telling a story, certain tricks of plot development, all of it predictable and useless.
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