A Quote by Gautam Rode

As a sensible actor, I can easily judge which scene looks vulgar and which will look aesthetic. — © Gautam Rode
As a sensible actor, I can easily judge which scene looks vulgar and which will look aesthetic.
It's no good in a scene to have one actor lie down because the scene says it's the other actor's moment. Each actor has to believe that with extra will, the outcome of a scene can be different. An actor can win the scene if he exerts the most powerful will in that moment.
We have lost the old love of work, of work which kept itself company, which was fair weather and music in the heart, which found its reward in the doing, craving neither the flattery of vulgar eyes nor the gold of vulgar men.
Now in regard to trades and other means of livelihood, which ones are to be considered becoming to a gentleman and which ones are vulgar, we have been taught, in general, as follows. First, those means of livelihood are rejected as undesirable which incur people's ill-will, as those of tax-gatherers and usurers. Unbecoming to a gentleman, too, and vulgar are the means of livelihood of all hired workmen whom we pay for mere manual labour, not for artistic skill; for in their case the very wage they receive is a pledge of their slavery.
There are two devices which can help the sculptor to judge his work: one is not to see it for a while. The other... is to look at his work through spectacles which will change its color and magnify or diminish it, so as to disguise it somehow to his eye, and make it look as though it were the work of another.
A relation is formed betwixt every man and the fruits of his own labour, the very thing we call property, which he himself is sensible of, and of which every other is equally sensible. Yours and mine are terms in all languages, familiar among savages, and understood even by children. This is a fact, which every human creature can testify.
Every start on an untrodden path is a venture which only in unusual circumstances looks sensible and likely to succeed.
There are tonalities which are noble and others which are vulgar, harmonies which are calm or consoling, and others which are exciting because of their boldness.
Because of my age, the roles that I'm in doesn't have as much depth as I would like, but that will change. Halle Berry, Angelina Jolie, they play heavy, meaty roles, which are the sort that I want to play...because of what I look like, I play with my looks, which is cool, but I've done it so many times. But one day I would love to play against my looks.
I look forward to an America which will reward achievement in the arts as we reward achievement in business or statecraft. I look forward to an America which will steadily raise the standards of artistic accomplishment and which will steadily enlarge cultural opportunities for all of our citizens. And I look forward to an America which commands respect throughout the world not only for its strength but for its civilization as well.
In one point of view, Gothic is not only the best, but the only rational architecture, as being that which can fit itself most easily to all services, vulgar or noble.
...aesthetic values are changed under the influence of sexual emotion; from the lover's point of view many things are beautiful which are unbeautiful from the point of view of him who is not a lover, and the greater the degree to which the lover is swayed by his passion the greater the extent to which his normal aesthetic standard is liable to be modified.
What will a Hillary Clinton presidency look like? The answer by now seems obvious: It will look like her presidential campaign, which in turn looks increasingly like the first Clinton presidency. Which is to say, high-minded ideals, lowered execution, half truths, outright lies (and imaginary flights), take-no prisoners politics, some very good policy ideas, a presidential spouse given to wallowing in anger and self-pity, and a succession of aides and surrogates pushed under the bus when things don't go right. Which is to say, often.
Some people will stop a scene and demand a mirror and look at themselves and check which angles they're being photographed from. I don't do that.
Life seems so vulgar, so easily content with the commonplace things of every day, and yet it always nurses and cherishes certain higher claims in secret, and looks about for the means of satisfying them.
Conscience is a judge in every man's breast, which none can cheat or corrupt, and perhaps the only incorrupt thing about him; yet, inflexible and honest as this judge is (however polluted the bench on which he sits), no man can, in my opinion, enjoy any applause which is not there adjudged to be his due.
I'm not as careful as I look, which is why I choose not to do social media. It's really because I don't trust myself. I'm also very easily influenced by my feelings and will impulsively act on my emotions, which is another reason why I don't do social media.
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