Choosing an acoustic guitar for a live setting can be different from picking out one for recording. One doesn't always work for the other. The sonic properties can be vastly different.
One of the things I love about my job is that it offers me an opportunity to step into different people and different spaces and different kinds of work in every new thing that I do. I'm just looking forward to the surprises I'm going to have.
I love songwriting ! It's my Number One passion other than performing. Well, actually it's like wearing three different hats: songwriting, recording and performing. They're all completely different and draw on different types of skills. With recording, there are so many different phases of production, and you have to be very careful because you can polish it until it doesn't shine.
One thing I really hate about people who play both acoustic and electric is if they try to play electric style on an acoustic guitar. You must develop it as a totally different thing.
The first thing you realise very quickly when you decide to do an acoustic version of an electric song is your solo either becomes either very truncated, very different, or non-existent, because even if you play a clean solo, it's different with the Kryptonite... with the acoustic.
In New York there's a lot of interstitial spaces; spaces in between spaces, where you're changing, and New York gives you the anonymity to be who you want to be.
My stuff was more of a folk coffeehouse thing, with more acoustic guitar, just me doing a single, and then adding on instruments and voices, with emphasis on lyrics and singing and light kind of acoustic jazz.
I had different bands. I played with the Acoustic Warriors for the most part, without girl singers. It was the same kind of sound, acoustic guitar, bass, with violin and sometimes accordion, and the guys would sing, that kind of thing.
Nowadays, it's like two different arenas, recording and touring. When I started way back in the day, doing both was nothing, you didn't have to think about it, the road and recording.
I actually bought a travel guitar, and that guitar is really cool. You can actually fold the guitar, and you can plug headphones into it, but it's acoustic, or semi-acoustic.
If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.
The mall tour was right off of my second record, before it came out. It was very different. I did an acoustic performance every day in a different mall! One interesting thing I remember is playing 'My Happy Ending' a lot, and that song was so new that I remember getting emotional.
Utilizing a unique acoustic blend never heard previously, the Aaron O’Rourke Trio has made a fine debut recording that is sure to please old and new grass fans alike.
The cool thing about doing films and being different characters is that it's new everyday and new every project. So, you're always learning something different and you get to do research.
The mall tour was right off of my second record, before it came out. It was very different. I did an acoustic performance every day in a different mall! One interesting thing I remember is playing "My Happy Ending" a lot, and that song was so new that I remember getting emotional when I would play it.
I realized doing this work, identifying either issues or challenges or thinking about opportunities to actually impact people's lives, I could actually make things better, and bringing people around the table for solutions was something I liked doing and was actually something I was able to do fairly well.