A Quote by Gavin Bryars

I remember once, when I started writing for the alto saxophone, a saxophonist told me to think of it as being like a cross between an oboe and a viola, but louder. — © Gavin Bryars
I remember once, when I started writing for the alto saxophone, a saxophonist told me to think of it as being like a cross between an oboe and a viola, but louder.
Alto (saxophone) is just a very hard instrument; there's so few people that play it really well. I feel it's the best one, too, now. At first I didn't feel that way; I wanted to be a tenor player. It took a long time for me to feel that alto was the most expressive of the saxophones.
I try not to talk during the day when I have a show that night. My voice is my instrument, just like a saxophonist's instrument is his saxophone, plus also his voice, if he's the one between tunes that makes announcements.
I started writing when I was 9. My mother told me it was before that, but that was the first I remember.
I remember talking to someone who is vegan. At the time, I would hear a lot of outrageous claims from vegans about the good that being a vegan can do for you, for your health and whatnot. I remember someone once told me vegans don't sweat, so I started my mind going.
For me, growing up in New York, it started with Elvis Costello and the Clash and then got into louder things like Bad Brains and Stimulators, because those were, like, the local bands. Then I started getting into bands from England like the Slits. I remember seeing Gang of Four at Irving Plaza; that was a really big show for me.
I originally started playing saxophone. I started singing a little bit when I got into middle school, when I realized girls didn't really date the dude with the saxophone.
The difference between a violin and a viola is that a viola burns longer.
When I think about that first DeBarge album, I remember being so green... just pristine. Nothing mattered to me but writing songs. I remember staying locked up in a room with my piano and just singing and writing songs all day long. I remember being a perfectionist about it... wanting to change this and fix that.
Yeah, I love A Nightmare on Elm Street. I was just a fan. I was such an avid fan. I remember being on the set talking about a sequence and he started asking me about maybe staging it a little different. I realized - I think he was shocked that I knew his work so well - I remember I started going like, "Why don't we do it like The Last House on the Left, where you had the girl on the ground..."
The saxophone was created to mimic the human voice and I think that's why I gravitated toward the saxophone eventually. I'd loved the clarinet, but there's something about the saxophone that just grabs you.
I've played drums since I was 15. My sisters and I all played instruments. I kind of started with piano and then I actually played saxophone with a jazz band in middle school. So, any knowledge I had of jazz music was from playing alto-sax back then.
When I was around 12 or so, I saw 'The Shining.' I just remember that being a turning point for me, where I started to think about the fact that there was a hand behind the film. That it wasn't just this magical story being told - there were actual people crafting these films, and they were works of art.
I remember one day sitting in the mirror with a saxophone, just looking at myself, being like, 'I can't do this; this is ridiculous.'
The first time I mentioned publicly that I had known Viola for some time, many people took it like Viola got me the job in 'Fences'.
Someone once told me growth and comfort do not coexist. And I think it’s a really good thing to remember.
Someone once told me growth and comfort do not coexist. And I think it's a really good thing to remember.
This site uses cookies to ensure you get the best experience. More info...
Got it!