A Quote by Gavin Creel

I was never late to a show more often than 'La Cage.' Because I lived close, and I didn't really do anything in that show. — © Gavin Creel
I was never late to a show more often than 'La Cage.' Because I lived close, and I didn't really do anything in that show.
I would never want the show to be a Democrat show or Republican show, because for us the show's more important than that. It isn't for everybody else in the world, but it is for us.
Fighting in the cage brings much more adrenaline than fighting in the ring. When you step inside the Octagon and they close the door, that's really a high adrenaline feeling because they enclose you and one guy in the cage.
Show your work, and when the right people show up, pay close attention to them, because they'll have a lot to show you.
I sometimes close my eyes during a show because I have drawn a picture of an audience enjoying the show more on the back of my eyelids.
I often find that people's reactions to the show say way more about them than they do about the show itself. I think that's because a lot of it happens between the lines.
My brain does like the idea of hosting a late-night show. My brain does like the idea of maybe having a show about me. So, I often pitch ideas and work on scripts and do that just because I may not be right about how I feel, so why not just do this, and if it happens and I got my own show, well maybe I would really end up falling in love with it.
Constant conflict is actually often good politics. Because the more you can inflame your supporters the more likely they are to show up at election day. And if they're more inflamed than the other side, even if the other side has more people agreeing with it, you'll win, because your crowd will show up.
'Old School' is so breezy it could be a late-night talk show, especially when Craig Kilborn, of 'The Late Late Show,' sidles into camera range as a particularly loathsome competitor to Mitch.
I did a live late-night talk show called 'Creation Nation' with friends of mine. I had a sidekick and a band, and I wrote the whole thing. And it had the form of a late-night talk show, but we did it on stage because no one was giving me a TV show at the time.
'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.
We're all more than the person we show to everyone else. At least I hope so. Because I feel like there's more to me than that. I just haven't had the chance yet to show it.
I'd like to prove that just because I'm on a TV show about the area that I live in, it doesn't mean that I can't do anything, that I'm not strong - and I really hope that I show that.
I stopped trying to show everybody I could play. I don't need to show anybody anything. Just go be myself, and if I do that, then I can really show how good of a player I can be.
THE FACT THAT MY DAD IS A PREACHER HAS NOTHING TO DO WITH ANYTHING. HE PROBABLY WOULDN'T AGREE WITH SOME OF MY MATERIAL BUT THEN AGAIN THERE'S NO SIGN ON MY COMEDY EVENT THAT SAYS "REVIVAL HERE TONIGHT". IM SURE GOD HAS MORE IMPORTANT THINGS TO DO THAN GO TO MY 8 OCLOCK OMAHA SHOW. THE SHOW IS THE SHOW AND CHURCH IS CHURCH.
'Lucha Underground' really is the first episodic professional wrestling show. There are storylines in every promotion, but the way 'Lucha Underground' is crafted really is more of a TV show than your traditional wrestling show.
My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated.
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