A Quote by Gavin Esler

I've always been a fan of the Overton Window. It's not a piece of glass but a political theory named after the conservative American political analyst, Joseph P Overton.
The idea of the Overton Window of using people on the political fringe to change the terms of acceptable debate, that`s an idea that`s been hugely influential in conservative politics since Joseph P. Overton thought it up, making radical ideas seem acceptable by advocating for the unthinkable.
You may never have heard of Joseph Overton and his proverbial window but you most certainly have heard the Republican presidential campaign in 2015 year not just flinging the window open but shattering all its glass.
The idea of the Overton Window is that there`s a fairly narrow window of proposals in any particular policy area that people will take seriously that wouldn`t get you written off as a kook. The way to move or expand that window is to advocate super extreme positions which change the realm of what`s politically possible because after something super nuts has been . floated, thereafter, slightly less nuts positions will start to look acceptable and moderate by comparison.
Questions about political theatre always overlook America's most powerful and effective political theatre, which is always thriving: the American musical. The politics is conservative but, to my mind, effective and insidious.
I'm not a professional political analyst, so my political analysis is worth about what you pay for it.
There was a time when conservative intellectuals raised the level of American public debate and helped to keep it sober. Those days are gone. As for political judgment, the promotion of Sarah Palin as a possible world leader speaks for itself. The Republican Party and the political right will survive, but the conservative intellectual tradition is already dead. And all of us, even liberals like myself, are poorer for it.
The general point that a political theory is, among other things, a partisan intervention, is well taken. So question about the actual political implication of a theory cannot be excluded as, in principle, irrelevant.
When I was put up as a candidate for this, I was a political person. But after becoming the president, I become non-political, a-political, because president does not then belong to any political party.
If Marxist theory dictates that the personal is always political, the rebuttal of both 'The Americans' and 'House of Cards' is that the political is always personal: the sum total of our collective needs and desires, vows and betrayals.
The theory of politics that emerges from the political literature of the pre-Revolutionary years rests on the belief that what lay behind every political scene, the ultimate explanation of every political controversy, was the disposition of power.
There was a time, before I was in graduate school, when political philosophy pretty much ceased to exist. The positivists thought there were only two things you could do: conceptual analysis or empirical investigation. Any kind of political theory or even ethical theory was nonsense.
I've always been a big fan of political and social satire.
Anarchism is a theory of political science and is opposed to government in the political sense.
Truthfulness has never been counted among the political virtues, and lies have always been regarded as justifiable tools in political dealings.
I've always been interested in socially political, or overtly political, comedy. And I guess I've always liked to channel some kind of personal element to that.
I have always had a deep belief that every movie, every artistic expression, is political. Don't be fooled. Even ones that we wouldn't consider overtly political are political. When we spend time doing anything, whether it's distraction or whether it's something that we have to face, it is always political. That's my belief.
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