A Quote by Gavin Friday
A weird theory I have is we come from a suppressed culture. Ireland is one of the most invaded countries ever. I think the British started it very early, it could be like 800 that decided to come and show us out; and the Danes in the north. We've had a tough time and pretty much a similar culture would be the Jewish culture; they had a pretty hard time. They were being kicked around for a long, long time.
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My childhood was pretty colorful; I like to use the word turbulent. But it was a great time to grow up, the '70s and '80s in Brooklyn, East Flatbush. It was culturally diverse: You had Italian culture, American culture, the Caribbean West Indian culture, the Hasidic Jewish culture. Everything was kind of like right there in your face. A lot of violence, you know, especially toward the '80s the neighborhood got really violent, but it made me who I am, it made me strong.
I had a long time admiration for the Jewish people. Especially with their long time of courage, taking so much abuse for so long. I was only seven years old, but I could easily see the ungodly treatment that the white folks were handing the poor Jewish family whom I worked for.
Seattle is very similar to Minneapolis. I like the culture; I like the people. I raced a bike and won a national championship on Lake Washington in 1977, so I've had a connection there for a long time.
I think it was when I was nineteen, by that time the Jewish laws were already in force and the split was beginning to come about which isolated the Jewish culture.
People have come to me over the years and said to me: 'I admire the culture of Starbucks. Can you come give a speech and help us turn our culture around?' I wish it were that easy. Turning a culture around is very difficult to do because it's based on a series of many, many decisions, and the organization is framed by those decisions.
Big successful corporations have established their own culture by the time you come along, so you have as high of a chance of changing their overall culture as you have of convincing the U.S. Marines to adopt the 'long-haired look' as their standard military haircut.
I think I realised, at teachers' training school, that I felt that the culture that I came from, the Sámi culture, was not good enough, so I wanted to be Norwegian or European, I wanted to forget the culture. And then this music started to... in a way I had to ask myself "why is this, and what does all this come from?
I think there's a time to be private and a time to be public, and I think that companies like Facebook and Groupon are basically transformational companies. You don't come across them very often, and I'm pretty sure that they can continue to grow for a long time even being public.
I was having pretty bad anxiety attacks and stuff, and I think a lot of it had to do with my physical environment. Deep down I've always had a pretty strong connection with nature, but I've suppressed it for so long while living in the city. I think it caught up to me. I started really bugging out and needing wide-open space. So it was that simple. That and social anxiety. I felt like I was existing too much in nightlife.
Hip-hop culture is probably one of the most powerful things to come out of America in a long time - everything from the music to the art to the dance to the language.
The culture of the mutual fund industry, when I came into it in 1951, was pretty much a culture of fiduciary duty and investment, with funds run by investment professionals. The firm I worked with, Wellington Management Co., they had one fund. That was very typical in the industry... investment professionals focused on long-term investing.
When Culture Club broke up, I hadn't been going out a lot because we'd been working all the time, so I suddenly had this period of leisure. And it was just around the time that the whole acid house thing kicked off in London.
You can hear a real shift. You listen to the late 80s recordings, you'll hear us engaging with the audience, dealing with the issues surrounding punk shows at the time. Back then, people thought you had to be a skinhead and beat the crap out of everybody when you went to a punk show. Come the early 90s, when you had this so-called grunge stuff and when videos became so dominant, you had this totally huge shift in the culture of shows.
I think America is a new country. It is a young culture. The spirit of the opening of the West is still with the Americans. It's a very practical and individual-based kind of philosophy that had worked in America for a long time, had been very successful. And the spirit is very much there.
I think '60s are appealing to creative people, because it seemed to be a time of endless possibilities, when the boundaries of what could be considered popular culture were being expanded almost by the week. It doesn't feel like that anymore. At times, I wish it were so. Radio is a perfect example; good God, I mean, back then the most interesting songs were also hits, and that's just not true anymore. It hasn't been true in a long time.
For the first time since I began acting, I feel that I've found my place in the world, that there's something out of my own culture which i can express and perhaps help others preserve..i have found out now that the African natives had a definite culture a long way beyond the culture of the Stone age...an integrated thing, which is still unspoiled by western influences...I think the Americans will be amazed to find how many of the modern dance steps are relics of African heritage.
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