A Quote by Gavin Newsom

I just butcher a book. Everything I underline I assume is important to me. — © Gavin Newsom
I just butcher a book. Everything I underline I assume is important to me.
I remember being taught in school that you would underline things that you liked. I remember just underlining everything as a kid, thinking, 'This has all gotta be important!' I would just underline the whole thing!
Now, I underline - underline, underline, underline - nobody loves the outdoors as much as me. Nobody loves water as much as me.
Healing for me is being able to sit next to the butcher and say 'Yes, I’m sitting next to the butcher now,' instead of saying 'there is no butcher'.
The Butcher Boy is a very great novel indeed and a very important Irish novel. The ambiguity of that is, he's writing a book about an appalling situation and he does it in a hilarious way.
Governments are different, and philosophies are different, but when it comes down to it, a schoolteacher is a schoolteacher is a schoolteacher. A butcher is a butcher is a butcher. We are people. And we are far more common than we ever imagine.
I knew that I was writing for an American audience and that if I sold foreign rights, they would retranslate the book to make it make sense to that language. But one thing that was really important to me was not to italicize any of the words in the languages that were in the stories, because I feel like those foreign words felt just as important and integral to the story as everything else, so I wanted it all to just exist as its own thing.
I'm no longer religious, but the Bible fascinates me. Hardly anyone reads it anymore, but it's got everything: it's a book of poetry, it's a book of principle, it's a book of stories, and of myths and of epic tales, a book of histories and a book of fictions, of riddles, fables, parables and allegories.
Saddam Hussein also challenged President Bush to a debate. The Butcher of Baghdad vs. the Butcher of the English language.
You’re too important to just … die.” He shakes his head. He won’t even look at me—his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?
I just assume I'm not invisible. I assume I'm wearing fluorescent clothes, and there's a million-dollar bounty going to the first driver who manages to hit me. And I ride on that assumption.
My dad was a master butcher and I trained to be a butcher when I left school. I didn't enjoy it at the time but I love cooking now, so perhaps I would have been a chef.
If you're really mind-full, and if you underline that aspect of fullness, wholeness, or wholeheartedness, it reveals the gift character of everything.
I don't ever assume that people are going to love or appreciate what I do. It would be great. I don't assume that they're not going to. I just am like, 'I'm going to do my absolute best at everything I do, and I'm going to put it out with pride and hope people enjoy it.'
My father probably taught me everything I know, aside from dialogue, which I think I get from my mom a lot more. He certainly didn't teach me everything he knew, but you know he has got this book out called "The Spooky Art," which is essentially an advanced book on writing and it's not... You know it's not ABC, but it's for people who feel that bug and know that they're writers and are willing to put in that time alone. Pretty much the vast majority of what he taught me you can find in that book.
A good butcher is important to have. It's like a shrink.
I think I had a particular moment when I was 15 years old. I read 'Crime and Punishment,' and that book just, I think, more than any other book made me want to be a writer, 'cause it was the first time that I hadn't just entered a book, but a book had entered me.
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