A Quote by Gavin Rossdale
Playing live, you can't survive, certainly not in England. We used to work daytime jobs and play gigs at night. It was very exhausting.
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I learned a lot from playing those late-night, 1-to-4 A.M. gigs with my band, and playing when no one was listening.
I was working with the computer at university and playing jazz in the daytime, buying west-coast psychedelic and early Kraftwerk records in the afternoon, and playing folk at night. I was quite busy!
I have been playing for England since I was 18, and while I wouldn't say I took it all for granted, it just seemed to be a part of my season - to play for Arsenal and to play for England.
I made my England debut when I was 17, against India. I was the first Asian to play for the England women's team, and I did have mixed feelings playing against the country my parents are from but I was born and bred in England and I've always known I wanted to play for my country.
One springs to mind: one of our very first gigs in a small East Texas town was not well promoted. At least, that was our conclusion. After the band loaded in and the curtain opened, we realized there was exactly one paying customer in the audience. We kind of made the best of it playing through the first set, took a break and bought him a Coke and then went on to perform for the remainder of the night. It wasn't exactly a catastrophe but it certainly stands as legendary.
Nighttime dressing is not very different from daytime dressing for me. I feel like night clothes don't get a chance to live the way day clothes do, so I prefer to think of night clothes as day clothes.
I believe that if we are going to create jobs in this country, then let's create jobs that will absolutely put the working-class people at work to the point where they have one job. They don't have to work three because they have to work Wendy's, McDonald's, and Walmart to survive.
One of the things that happened is I did a lot of shitty gigs. When you do a bunch of shitty bar gigs you have to get used to people yelling at you, you're used to thinking on the fly, to dealing with weird situations.
At night numbers must sleep; it is their duty, just as it is their duty to work in the daytime. Not sleeping at night is a criminal offense.
I spent most of my 20s playing music. I was in a band and we worked really hard and did not get very far. I was really close to being this guy who used to be in this band who is still playing and trying to get some recordings together, but I got really lucky. That's never lost in me, that I went through Saturday Night Live.
Every time I listen back to solos of mine I'll hear something I like and then another phrase that I can't stand. You have to live with what you play. And the recording medium puts that on us. When I play live gigs I don't think so much like that.
I was a regular on 'Holby City,' and I did daytime; that's how I started off. Off in Hong Kong doing stuntman stuff, then coming back to England doing daytime soap operas.
I just love to play music. I enjoy it more than anything. I enjoy it more than drinking with my friends in the pub. I'd much prefer to be playing live and playing the piano - playing is one of the most enjoyable things I do and I live for it. So it's very rare that I'd not be up for it. I'm very lucky to have something that I love so much; I don't know what I'd do without it.
I could play, scored a goal; I showed that I can play in Europe, in England. Because many say that England is very difficult.
Everybody tends to overplay live. That's just the nature of playing live. And that can be great, but it can also kill something that's special, and intimate, about a recorded version of a song. You find out very quickly which songs you can play, and which songs you do damage to by playing them live.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
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