A Quote by Gavin Rossdale

Dub and reggae... I play that a lot around the house. — © Gavin Rossdale
Dub and reggae... I play that a lot around the house.
I got into dub a long time ago. I was into dub before I even had any interest in reggae or Jamaican songs, Bob Marley, or any of those established artists. I just thought it was such an unusual sound.
Basically, there were three aspects of dub that influenced dubstep. The most important was playing the instrumental versions of vocal garage tracks, which was a little like what dub was to reggae - the instrumental of a full vocal.The second was dub as a methodology, which, for me, is apparent in all dance music: manipulating sound to create impossible sonic spaces using reverb, echo and such. The third is the influence of the genre called dub. (It became a cliché actually, through sampling old Jamaican films and soundtracks, and adding vocal samples.)
Definitely dub is in my body forever. I think I hear everything through a dub filter. Even when I play rock music, I play through a dub filter.
I love a lot of reggae, but I've never had the opportunity to play with any reggae guys.
I love a lot of reggae, but Ive never had the opportunity to play with any reggae guys.
I am taking my production style more into the world of dub. I mean true dub production techniques but in house music.
I learn tons of John Frusciante's licks from the Red Hot Chili Peppers. I'm never going to play like the Chili Peppers, but I might use that if I've got a dub beat or reggae thing mixed with a soul thing.
My mom listened to a lot of house music. My dad listened to a lot of roots and dub. I've got a lot of bass. It's been in my whole life.
Twelve years ago me and Allanah became really sick of writing pop songs, ... Eventually we dug a grave for the Thompson Twins, pushed them in there, and then moved to New Zealand. Before that I'd lived for a long time in south London where reggae was the music of the streets around me. You'd hear it booming out of people's windows and shops, and you could buy great old reggae singles for 50p (NZ1.30) in second hand shops. I'd always loved that sound, so soon after we got here I started making electronic dub records with my mate Rakai Karaitiana as International Observer.
A lot of people dub our work as New Age. But for some reason, they don't dub Stan Lee's work that way.
In reggae I have a model of artistic excellence and possibility that is challenging and inspiring. The poem remains a demanding thing - an object to be understood and shaped into my own sense of self, the same is true of the play, the novel, the short story. Yet, for some reason, I approach these existing genres with the kind of confidence that the reggae artist approaches any song floating around out there.
My mom used to always play hip-hop around the crib, but moreso than that, she played reggae, and I grew up on reggae music more than I grew up on hip-hop.
I play a lot of classical music around the house.
My mom used to play a lot of music around the house, and I think that's where I get my inspiration from.
Rub-a-dub-dub. Cerebrum in a tub.
Sound has always followed me. A lot of reggae when mum was cooking. I'd write songs with my dad or play him anything I'd worked on.
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