A Quote by Gavin Rossdale
I love playing live, I don't like studios all that much. I need the reaction of the audience.
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The feeling you get from playing to a good audience is hard to describe without sounding as though you are talking silly. But reaction is important. You might feel in yourself that you're doing it ok but it's when you get the live reaction that you know you're doing it right.
Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.
The live audience, just getting an instant reaction off of an audience is the best part[of the show]. Being in the studio and working on your songs and listening to them back and doing all that - it's a lot of fun, but having that instant reaction and being able to work and vibe with an audience is the best part.
I just love to play music. I enjoy it more than anything. I enjoy it more than drinking with my friends in the pub. I'd much prefer to be playing live and playing the piano - playing is one of the most enjoyable things I do and I live for it. So it's very rare that I'd not be up for it. I'm very lucky to have something that I love so much; I don't know what I'd do without it.
I'm first and foremost a company man, surprising as that is. I love Warner Brothers. That's where I have a deal. That's where I've been for years. So I don't really interact too much with other studios and do things with other studios and I don't necessarily read scripts from other studios.
You're playing the songs for the audience and they still think they're good songs. So I tend to get excited by that, audience reaction.
I like anything with a live audience. I love sitcom work. I hope it comes back in fashion because I really love it. I love single-camera work, too, but in a different way than that live-audience thing, which is really exciting.
The task is to influence and create a reaction in the audience. In my opinion, any reaction of a human being in the audience, I think this is great. It means we touched the person's soul.
I can't imagine playing a boring gig. Like, a boring audience without reaction, I will play against them.
Having a live audience makes a world of difference to the acting. It keeps your timing sharp. When something doesn't work, the actor can sense the reaction from the audience and quickly move on.
I am not like Hitchcock, directing the reaction of the public or the audience. I don't like that. I think this is some kind of fascism - 'You need to react like that.' No. No. It's not like this; everyone needs to react as he can.
I love performing on stage the most. It's getting that instant reaction from a live audience. There are no boundaries, you can take your character as far as you want to, you can be the craziest person ever.
What I love most about playing in front of people has something to do with a certain kind of energy exchange. The attention and appreciation of my audience feeds back into my playing. It really seems as if there is a true and equal give and take between performer and listener, making me aware of how much I depend on my audience. And since the audience is different every night, the music being played will differ too. Every space I performed in has its own magic and spirit.
When infants aren't held, they can become sick, even die. It's universally accepted that children need love, but at what age are people supposed to stop needing it? We never do. We need love in order to live happily, as much as we need oxygen in order to live at all.
I love the theater because I love the live audience and when we went three cameras we have a live audience in the study so we had someone to play to and react to. That laughter.
My first reaction to the script is simple - whether I laugh or cry. I like to see a film from an audience's perspective and that is my first reaction.
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