A Quote by Gay Hendricks

You are the absolute creator of what happens to you. This means now. [...] There is awesome power in knowing this fact. As long as there is even one tiny part of you that thinks the world is doing it to you, the world is going to do it to you. When you know 100% that you create it, you will start influencing the world around you in a much bigger and more positive way.
When I was a child, we seemed to be living in a world remote from the rest of the world. But television has made a great difference to all of us. If something happens where I live, you see it tomorrow or perhaps even at the same time it is happening there. It's not "one world" in the sense that conflicts are resolved in the world. But we are more one world in that we know what is going on and are psychologically influenced by what goes on around us.
My views have changed as much as the world, and more precisely, the world of art. You have to remember that all my criticisms of the institution were done directly from the world I was in and my analysis of it. Many things that I said about the omnipotence of the museums, for example, are today almost obsolete. In fact, the museum and the institution drastically lost their power by the pure fact that they disseminated by thousands around the world.
We know the Russians did everything they could to be involved in our campaign. We know that what they're doing around the world right now, whether it be in France or other parts of the world. They'll do anything they can to disrupt any type of a freedom, if you will, or a democracy, or an involvement where there's an orderly transfer of power. That's not for them. They're going to do what they can. We have to make sure we stop it.
In voicing so much is left to your imagination to create the world around you like that. It's really the essence of what's so fun for, I think, many people when they first start to want to be an actor, is that they realise they enjoy making up a world around them to exist in, a whole situation and a whole way of being. And even more so than theatre, animation requires that because there's just nothing to go on. It's in your head and your heart or it's not there at all.
I have always viewed the mission of Wikipedia to be much bigger than just creating a killer website. We're doing that of course, and having a lot of fun doing it, but a big part of what motivates us is our larger mission to affect the world in a positive way.
I have always viewed the mission of Wikipedia to be much bigger than just creating a killer website. We're doing that of course, and having a lot of fun doing it, but a big part of what motivates us is our larger mission to affect the world in a positive way
A world where Congressmen spend 30 to 70 percent of their time raising money from a tiny, tiny fraction of the 1% is a world where that tiny, tiny fraction has enormous power. And it's that inequality in political power that enables this corrupted system to happen.
Prediction just means you saw where the world might be going: ho-hum. Influence, though - ah. Influence, direct and acknowledged, means you actually steered the world, even if only a tiny bit.
Phonogram was explicitly about our world. It’s a fantasy which is happening around us all, unnoticed except for those who’ve fallen into its world. In a real way, it’s real. Conversely, W+D is much more overt. The appearance of the gods changes the world, and has changed the world going back. There’s the strong implication that certain figures in our world simply didn’t exist in The Wicked And The Divine‘s world, because they were replaced by a god.
Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.
My whole thing is I want to affect history in a positive way. I want the timeline to be, 100 years from now, when we look back, it's going to be like, the world was like this, and then Shameik Moore hit the world, and everything changed for the better. It was a new light. Something special.
What we see before us is just one tiny part of the world. We get in the habit of thinking, this is the world, but that's not true at all. The real world is a much darker and deeper place than this, and much of it is occupied by jellyfish and things.
I think art is much more about an engagement with the world, a way of being called upon and recognizing that the world is speaking to you. Which isn't quite solitude, even if you're alone when it happens.
I look around and I know there's a lot in the world that I want to see changed - and I want to be a part of something bigger than myself. I want to see things change, in myself as much as in the world around me.
I know the way, what I have to walk. I know the spiritual power, world-creating energy, what I have to lay its account with. There's no doubt: we come out into a better still world part and we will be delighted in unfailing fairnesses.
You have to believe 100 percent in what you're doing, that some picture or some thing we do is going to change the world in some tiny, minute way.
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