A Quote by Gayle Forman

It takes certain kind of naiveté, or perhaps just stupidity, to know things will end and still hope otherwise. — © Gayle Forman
It takes certain kind of naiveté, or perhaps just stupidity, to know things will end and still hope otherwise.
Of course it's a lot easier for me if I think of myself as a character to say certain things; it gives me a kind of liberty to say things that I otherwise wouldn't. It's always my hope that it will come across as me and not me at the same time.
I really believe in completely being naive and having high hopes when meeting someone new. I can kind of re-do my stupidity or my naivete.
I'm always loath to make generalizations about what is for children and what isn't. Certainly children's literature as a genre has some restrictions, so certain things will never pop up in a Snicket book. But I didn't know anything about writing for children when I started - this is the theme of naïveté creeping up on us once more - and I sort of still don't, and I'm happy that adults are reading them as well as children.
Look into the eyes of a chicken and you will see real stupidity. It is a kind of bottomless stupidity, a fiendish stupidity. They are the most horrifying, cannibalistic and nightmarish creatures in the world.
There is a certain kind of pain that can change you. Even the strongest sword, when placed in a raging fire, will soften and bend and change its form... Trust me on this one. I know this from personal experience. I hope that you never will, but, since you're a person, and therefore prone to making horrible, soul-splitting mistakes, you probably will one day know what this kind of guilt and shame feels like. And when that time comes, I hope you have the strength...to take advantage of the fire and reshape your own sword.
I know that I put a lot into 'Hereditary', and I'm proud of what it is. Beyond the fact that the film takes its time and asks for a certain amount of patience from the audience - and I hope it rewards that patience by the end - I know that I'm something of an aesthete. I care about aesthetics, and I love filmmaking.
I don't want to live in a world where I just kind of play on my naïveté - well if I don't know it, then it doesn't exist.
I will be the answer, At the end of the line, I will be there for you, While you take the time, In the burning of uncertainty, I will be your solid ground, I will hold the balance, If you can't look down. If it takes my whole life, I won't break, I won't bend, It will all be worth it, Worth it in the end, Cause I can only tell you what I know, That I need you in my life, When the stars have all gone out, You'll still be burning so bright...
I think you really have to know what you want if you want to be an artist. Otherwise, you just kind of end up in space, just floating around.
If you really want your films to say something that you hope is unique, then patience and stamina, thick skin and a kind of stupidity, a mule-like stupidity, is what you really need.
People say it's better to know the truth, but what if the ending's a bad one? Is it still better to know? Or is it kinder to keep that string of hope dangling? To believe that maybe if you just wait long enough, everything could still end the way you want.
It's not the norm when creators have any protections with regards to creative control. And so it took some time, I think, for the strip to gain enough popularity where I had enough leverage to come in and say, "It has to be done in a certain way or it's not going to be done at all," and then have people willing to put up with that who were ultimately paying for it. You know, for them to be willing to kind of concede those kind of things. It just takes time, you know?
If your hope disappoints you, it is the wrong kind of hope. You see, hope in God never disappoints, precisely because it is hope *in God.* This means that hope placed in any other thing will always end up disappointing.
You know that certain things that you use in the film are going to be shown to audiences five hundred times before they ever sit down to watch the movie. So you have to kind of modulate what can I do to give marketing enough material but that I can still withhold certain things so that it's fresh and surprising for the audience coming to see the movie.
I think that is one of the things that is beautiful about fiction and that you can do through drama. If I was a detective, I could make a certain version of everything we know to be exactly true. And that would have a certain kind of truth value. And there are certain other things that we know that are emotionally true.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
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