A Quote by Gayle Forman

Suddenly, it's all too much. Bryn and the bump watch. Vanessa with my high school yearbook. The idea that nothing's sacred. Everything's fodder. That my life belongs to anyone but me.
In 1970 or '71, early in the magazine, Michael O'Donoghue did maybe eight pages of a 1958 yearbook, from Ezra Taft Benson High School. But by the time the [book-length] high-school yearbook came around, he didn't want to be involved.
It's funny: I always, as a high school teacher and particularly as a high school yearbook teacher, because yearbook staffs are 90 percent female, I got to sit in and overhear teenage girl talk for many years. I like teenage girls; I like their drama, their foibles. And I think, 'I'll be good with a teenage daughter!'
Teenage girls, please don’t worry about being super popular in high school, or being the best actress in high school, or the best athlete. Not only do people not care about any of that the second you graduate, but when you get older, if you reference your successes in high school too much, it actually makes you look kind of pitiful, like some babbling old Tennessee Williams character with nothing else going on in her current life. What I’ve noticed is that almost no one who was a big star in high school is also big star later in life. For us overlooked kids, it’s so wonderfully fair.
When I finished high school, I didn't have much direction - I was a Deadhead kid who ended up bumming around London seeing a lot of theater. That's where I saw the performance that made me want to act: Vanessa Redgrave doing 'A Touch of the Poet.'
Once we realized that there were these 25 invariable types - the class politician, the frigid popular girl, the kid who tags along behind the jocks - once we came up with these key characters in a cloud of marijuana, the whole thing just came together. One of the things I'm really proud of is how much of a high-school yearbook it is in its look, so much so that Hunter Publishing had the art director, David Kaestle, and I come for years to their annual convention and do a little talk on how not to do a yearbook.
Albert Camus's 'La Peste' - 'The Plague' - had an enormous impact on me when I read it in high school French class, and I chose my senior yearbook quote from it. In college, I wrote a philosophy class paper on Camus and Sartre, and again chose my yearbook quote from 'La Peste.'
No one owns anything. Anyone who has lost something they thought was theirs forever finally comes to realize that nothing really belongs to them. And if nothing belongs to me, then there's no point wasting my time looking after things that aren't mine.
I was named Class Clown in the high school yearbook, so I was always turning to comedy and laughter to heal and to get me through things.
It's like those high-school yearbook photos that everyone would rather not see: Oh my God, look at that mullet hair. I have those photos too, but for me, they're, like, entire movies. And they show them on cable.
In India in particular, where millions have no home but the streets, virtually every life event is carried out in public: prayer, eating, sleeping, nursing, crude dentistry, even bodily functions. In the secular West, where nothing is sacred, everything seems hidden; yet in Asia, where nothing is hidden, everything is sacred.
I have a passionate desire for personal privacy. I want to stand before the world, for good or bad, on the book I wrote, not on what I say in letters to friends, not on my husband and my home life, the way I dress, my likes and dislikes, et cetera. My book belongs to anyone who has the price, but nothing of me belongs to the public.
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch tv too much. We have multiplied our possessions but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living but not a life. We've added years to life, not life to years.
Nothing belongs to you or me. Nothing belongs. Everything, everything, everything simply IS.
I like the idea of dating, but I'm not dating anyone exclusively, particularly right now. It's hard to be in a relationship unless you're ready to go public with it. So it's a lot easier for me to not be in a relationship. I really don't want that part of my life to be tabloid fodder.
I really had a rough time in middle school. Middle school to me was the way most people explain high school. Then in high school I had a blast. I basically did everything that you would do in high school or in college, so it really wasn't a difficult thing to pull out.
For high school, everything is about what you wear, how you come to school, and in high school, a lot of people judge you. So fashion is something that can save you - at least, it saved me.
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