A Quote by Gayle Forman
I love being a mom. But there's a certain kind of tedium to your life when your kid is young. Writing allows you to wander when your kid is napping in a crib ten feet away. So that's the great joy of writing fiction for me.
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You honor your writing space by recovering, if you are an addict. You honor your writing space by becoming an anxiety expert, a real pro at mindfulness and personal calming. You honor your writing space by affirming that you matter, that your writing life matters, and that your current writing project matters. You honor your writing space by entering it with this mantra: “I am ready to work.” You enter, grow quiet, and vanish into your writing.
I love the resource of the Internet. I use it all the time. Anything I'm writing - for example, if I'm writing a scene about Washington D.C. and I want to know where this monument is, I can find it right away, I can get a picture of the monument, it just makes your life so much easier, especially if you're writing fiction. You can check stuff so much quicker, and I think that's all great for writers.
Always remember your kid's name. Always remember where you put your kid. Don't let your kid drive until their feet can reach the pedals. Use the right size diapers... for yourself. And, when in doubt, make funny faces.
Always remember your kid’s name. Always remember where you put your kid. Don’t let your kid drive until their feet can reach the pedals. Use the right size diapers…for yourself. And, when in doubt, make funny faces.
Even when I think of writing fiction, it's being kind of a liar, a storyteller, a weaver, and there's that sense of how much of this is your life. The story is a way you unravel your life from behind a mask.
This is the great thing about writing for kids. Adults might not do anything if they recognized me. But if they do see me, and they're with a kid, they'll tell the kid who I am. They think they should give that to the kid. So generally that sends the kid over.
It's a great lesson about not being too precious about your writing. You have to try your hardest to be at the top of your game and improve every joke you can until the last possible second, and then you have to let it go. You can't be that kid standing at the top of the waterslide, overthinking it...You have to let people see what you wrote.
I've learned so much from being a mom about the kind of person I want to be, the kind of woman I want to be. Motherhood has taught me mindfulness. If you just parent on instinct, you'll screw your kid up for life. You have to be so mindful.
The frustrations and joys of parenthood are just hard to understand until you have a kid... the constant fight you're having with yourself, like loving being with your kid but also being kind of bored and wanting to look at your iPhone - it's kind of an interesting thing that's hard to write about before you've experienced it.
I am a dedicated madman, and that becomes its own training. If you can't resist, if the typewriter is like candy to you, you train yourself for a lifetime. Every single day of your life, some wild new thing to be done. You write to please yourself. You write for the joy of writing. Then your public reads you and it begins to gather around your selling a potato peeler in an alley, you know. The enthusiasm, the joy itself draws me. So that means every day of my life I've written. When the joy stops, I'll stop writing.
Writing fiction is very different to writing non-fiction. I love writing novels, but on history books, like my biographies of Stalin or Catherine the Great or Jerusalem, I spend endless hours doing vast amounts of research. But it ends up being based on the same principle as all writing about people: and that is curiosity!
Kid 1: *examining my gorgeous strawberry and blueberry pies*: Wow, Mom, your pies don’t look awful this time. Me (Ilona): ... ~A little later~ Kid 2: *wandering into the kitchen* Kid 1: Hey, you’ve got to see these pies. *opening the stove* Kid 2: Wow. They are not ugly this time. Kid 1: I know, right?
When I used to teach writing, what I would tell my playwriting students is that while you're writing your plays, you're also writing the playwright. You're developing yourself as a persona, as a public persona. It's going to be partly exposed through the writing itself and partly created by all the paraphernalia that attaches itself to writing. But you aren't simply an invisible being or your own private being at work. You're kind of a public figure, as well.
You have a great deal of yourself on the line, writing- your vanity is at stake. You discover a tricky thing about fiction writing; a certain amount of vanity is necessary to be able to do it all, but any vanity above that certain amount is lethal.
My mother's in my life, but at the time you imagine your mom passing away, not being there ... as a kid you try to think of something that hurts you the most ... It was just a tool [in "Hardball"].
I love writing on trains. The joy of being a writer is it's all in your head; you don't need materials apart from the laptop. It's like taking your work home with you, so you can feel grounded in your own insane writerly realities wherever you are.
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