A Quote by Gayle Forman

'Twilight' is a breathlessly addictive read with a love story that sucks people in. — © Gayle Forman
'Twilight' is a breathlessly addictive read with a love story that sucks people in.
When I read the 'Twilight' book, I didn't see it as fantasy. I saw it as a love story.
'Warm Bodies' is a love story: a zombie-human being love story. And people are comparing it to 'Twilight,' but I think it's three times better. It has a comedic twist to it as well.
I'm aware of 'Twilight,' but I've never seen the movies or read any of the books. Frankly, the story leaves me cold - why do a vampire story about abstinence?
Because of the 'Twilight' series, our company gets every speculative piece of fiction from people hoping for the next 'Twilight,' and so you read them, and they all kind of wash over you after awhile.
Your spouse, a sibling, a friend need to read your drafts. They have to be people unafraid to tell you what sucks. For early feedback, that's more important than professional editorial skill. Most people know what sucks.
Here's my definition of a great beach read - a fabulous story that sucks me in like a black hole and when it's over, it jettisons my bones across the galaxy with a hair on fire mission to convince everyone I know that they must read that book or they will die.
I really love the story in 'Twilight.'
I really love the story in 'Twilight.
My friends knew I was obsessed with these 'Twilight' boys because I love a dangerous love story.
I read the 'Twilight' books before the movie and the whole craze happened. And then I loved it. I was in love with Edward before every other girl that says she's in love with him was. Because I read them a long time ago shooting a movie in Salt Lake City, and one of Stephenie Meyer's friends said, 'Make sure you read my friend's book.'
Fame is addictive. Money is addictive. Attention is addictive. But golf is second to none.
I get hundreds of emails daily and a lot of feedback from people that are reading or have read my books. When I'm writing, or in my daily life, I just think of the work. I love to tell a story, but I might work with a story to make it the best I can without thinking of how many people will read it or if it will influence anybody.
It's hard to tell if anyone's interested in reading a serialized story. But it's interesting to put in a cliffhanger each week. That was popular in old comic strips. They'd write a weekend story different from the daily strip. So people follow one story day to day, and a separate story on weekends. If you read them, you think "I'll read two more." Then you're like "I gotta find out!" And you read 500 more.
It sucks when you read the script and you're like, "No, I liked that guy!" It's hard to read through the scripts sometimes, and just hope that people you like aren't gone. It scares you.
I've read a lot of really great characters in some really crappy stories, where I said, like, 'Boy I could shine here, but the story sucks.' I don't want to be part of that.
I tell the songwriter's story. When I read people's lyrics, I'm so amazed. I want to tell this story and make it part of my life. I usually can't write lyrics down, but I can sure tell that story. You've got to make people feel the hurt and love in each song.
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