A Quote by Gayle Rankin

I just feel lucky to have had my training at Juilliard. Even though it is a 'classical' training programme, they also prepare you for all mediums. They don't teach specific techniques or subscribe to a specific school of thought about acting.
The training at Juilliard School is classical training, and it really makes one very versatile.
There's a complete difference between training for a specific event and goal and just training.
I have yet to meet a single person from our culture, no matter what his or her educational background, IQ, and specific training, who had powerful transpersonal experiences and continues to subscribe to the materialistic monism of Western science.
If a program of physical activity isn't designed to get you stronger or faster or better conditioned by producing a specific stress to which a specific desirable adaptation can occur, you don't get to call it training. It's just exercise.
I travel and climb about eight months a year. That's pretty great training in itself. When I am home, I do a lot of bouldering, gym climbing, and specific strength training in a effort to get stronger for climbing.
There is an art to acting, and there are techniques that are acquired. You can be as emotional as you'd like, as a person, but figuring out ways that you can bring specific emotions at specific times and have them be true, and relating to someone as someone that they're not, is a lot.
Most people think that intelligence is about brain, where really it's about focus. Genius is just attention to a subject until it becomes specific, specific, specific.
'Power breaking,' also called Hanmadang - which means something like celebration or festival in Korean - involves breaking large amounts of wood, concrete, granite, and the like with specific hand and foot techniques. Practitioners rely on repeated resistance training and the idea that, over time, the body can adapt to stress.
I'd guess that every American action film would be different. It's just training, training hard, training a lot. Then trying to give your best performance on the day, and I've been lucky so far.
I'm not going back to acting class, although I've thought of it. The classic training that people get usually when they start out, I never had, and I always felt and still feel the lack of it, so there's a lot of basic stuff that I just don't have a clue about.
You had to be strong in the head... training, training and training. That is the only way, even if you have big talent.
I loved getting classical training in terms of acting. I would've stayed in acting school for the rest of my life if I could have. It was this amazing period of my life where everything was so safe.
If I can think of anything, but nothing specific that I have learned, is the time management and discipline and stay focused. Mentally focused to be aware. Our training sessions are mentally packed. We work on very specific game plans and strategies.
How much soccer training is it needed to become a top player? It depends on the efficiency of your training routine. Setting long and short-term goals is a must. When planning out a soccer training regime, one must strive for realistic and consistent program that will diminish specific weaknesses. Broad versatility of soccer skills is the Nirvana of every dedicated trainee.
I had classical training but I don't consider myself an opera singer though.
I had thought training for Mercury was rigorous. Once we got caught up in the Gemini training program, our Mercury training looked pretty soft.
This site uses cookies to ensure you get the best experience. More info...
Got it!