A Quote by Gayle Rankin
I went to school at Juilliard, and most of our training there is the classics, and as much as I thrive in contemporary, weird, experimental work, I really am excited about finding a pioneer woman or something from a different era that I could really sink my teeth into.
Related Quotes
Chris Jericho and I were really excited about teaming together, but we didn't get to sink our teeth into what we could have done as a team. We really wanted to throw it back to the glory days of Pat Patterson and Ray Stevens. We were committed, we were coming up with team moves, and all of the things were made to work.
Science was something that really caught my attention. It was something I really could sink my teeth into.
When I first got into the sport it was all about who could cut the most weight, who could be the biggest on fight night. That's the same era when you're sparring 10 five minute rounds, new partner every two and a half minutes, that era of just really hard weight cutting and really hard full contact training.
The training at Juilliard School is classical training, and it really makes one very versatile.
Vision is a romantic thing. We have got into 'talent identification'. I am much more interested in passion - finding people who are really excited about doing something.
Whatever the best scripts are and you just want to play roles that you can really sink your teeth into. That's always the goal no matter if it's a good guy or a bad guy, or a comedy, or a drama. It doesn't matter, you just want something that's substantial you can sink your teeth into and that you haven't done before, something that's really going to challenge you.
If you are going to do something potentially for another eight years, you want it to be something that you can really sink your teeth in and that's going to be different and interesting for this next period of time.
I am really not of the school of naturalism. I like style, and you can use more style in theater than in film roles. I love to sink my teeth into a part.
I think anybody who's willing to really sink their teeth into a work like the Hammerklavier, which is a very interesting, different experience, should look instead at something like the Sonata by Paul Dukas, which, in my opinion, is a real marvel.
I could really sink my teeth into a David Bowie documentary.
I feel really proud of my work on 'Sullivan & Son.' It's a really different character for me. I was excited to play this really tough, sweet smart, quirky girl because that's who I am at my core, but that's never who I was playing. The show is like my pride and joy.
As an actor, and especially as a young woman, there's so much pressure to look good all the time and it really detracts from what our job really is about, which is portraying a different person.
I am finding that vulnerability gives me great strength, because you're not hiding anymore. It's really about being a pioneer for myself, going into the places where I am not being taught. I have to teach myself.
For most of the movies that I've done, we've shot in a contemporary house, in contemporary clothes, speaking in a contemporary way. So, I really enjoy that. It really helps.
I'm always trepidatious and excited about what I do. I wouldn't choose to do something, unless I am really excited about it.
I was very excited, but I didn't really think I could get the work in 'Peanuts.' Still, I really, really wanted it, because I knew I could do it. And I got it.
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