A Quote by Gbenga Akinnagbe
I'm a very physical person. I'm very tactile. I wrestled in college, so a lot of my communication with the world comes through physicality - what I take in and what I put out there.
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It's actually as simple as this. New authors, building their customer base, need physical bookshops. Physical bookshops are lovely tactile, friendly, expert, welcoming places. Physical books, which can only be seen and handled in physical bookshops, are lovely, tactile things. Destroy those bookshops, and the very commercial and cultural base to the book industry is destroyed. Once and for all. Like Humpty Dumpty, it can never be put together again.
Our times seem to be so much about redefining where we are physical and where we're not. For me, it is really exciting to take the cutting edge technology and take it as far as it can get virtually, use it to describe/control the musicology or the behavior of raw natural elements, and then plug it with a sound source which is the most acoustic one there is - like gamelan and pipe organ. So you get the extremes: very virtual and very physical. In that way you shift the physicality.
I'm very much a creative person, but you've got to do the follow-through. A lot of people start out with an exciting thing and they want to take over the world, but really the people who do take over the world have a good plan of how to get there and the steps along the way.
To be a modern person in 2012, you are often required to have some electronics in your life. And I do. I try to put that phone down, put the computer away, and get out there and hike in the woods; feel it in my feet, feel it in my hands; get out in the garden and feel the soil under my fingers, my fingertips and my fingernails. I try to be involved in nature in a very tactile way. I think that's important.
I like to think that I'm a really strong, tough person, but I'm not. I'm a very, very needy person. I'm very insecure. I'm very impressionable. But, there is a side of me that is very put-together, very strong, very capable and very opinionated. It's the two sides of myself.
When I wrestled in College, my team was very good.
For most of my childhood, even through college, there was a lot of feeling very alone. I loved TV, so when those very special episodes of anything came, or when certain characters reflected the world I lived in, I felt connected.
Before Gutenberg, there was this really very strong oral storytelling culture where being able to relay stories from person to person was sufficient. And then, with the introduction of printing and mass communication, suddenly somebody had a lot of authority invested in the idea of a single canonical expression of a document or a piece of communication.
A lot of 'Shonen Jump' anime, you see a lot of battles, a lot of aggression, and it's very relatable to players. There's a hero, and he has to go through a lot of rough training, put his body through the unthinkable so that he can save the world or do his task. His or her challenge is saving the world; our challenge is winning the game.
I'm tactile, very tactile. A woman who has really nice, looked-after skin is such a turn-on for me. It's always sexy.
Yeah, all drama teachers are very effusive, very demonstrative, very emotionally open, very big, and gesticulate a lot, and are very physical.
You have to put your body through a lot of physicality with wrestling.
Take Christ out of the gospel, and you take its very heart out. He has not only originated a system, but He has put Himself into it, as its very life and soul and power.
I'm a very private person, a very bookish person. The social world of Hollywood I know nothing about because I choose not to take part.
But I didn't really enjoy my secondary education that much, probably because I am a very physical person and don't enjoy sitting at a desk all day. I just dragged myself through GCSE and A Levels, so it suited me very much to go on to drama school, which was very active.
I perceive the world in fragments. It is somewhat like being on a very fast train and getting glimpses of things in strange scales as you pass by. A person can be very, very tiny. And a billboard can make a person very large. You see the corner of a house or you see a bird fly by, and it's all fragmented. Somehow, in painting I try to make some logic out of the world that has been given to me in chaos. I have a very pretentious idea that I want to make life, I want to make sense out of it. The fact that I am doomed to failure - that doesn't deter me in the least.
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