A Quote by Gbenga Akinnagbe
If the project has good writing and is something I get excited about, then I'll do the role. And if it's for TV, I'll ask myself, 'Is it a show that I'd watch?' If it's a play or movie, I'll want to know if there's a good director attached.
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With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
I don't need to work right away. I'd rather wait for something really good; to be excited about a role, or a director, or a project.
I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. The last thing on my mind is if the director made good movies previously. It's not my job to know if that director's last movie was any good - it's my job to know if I can play the role.
The cool thing about 'Transparent' is that the show is funny but not like a sitcom is funny. It all comes down to the writing... The writers on that show are so good that you don't have to worry about anything. There are so many things that can go wrong making a TV show or a movie, but if the writing's good, that's, like, 95 percent of it.
I watch just as much WWE as almost anyone, but I love to. It's something I enjoy doing. I don't force myself to watch. I get excited for Mondays. I get excited to see the show.
And so as a director, as a leader, and myself as a director and a leader, I kind of try to make sure that we hold onto the vision and kind of corral it, but by the time you finish whatever the project is, a TV show, a series, a movie, a stage show, it should be a product of what all those people can do, and therefore, it can never be what you imagined it would be in the beginning.
I used to get nervous, you know if my parents would come watch. And then I would get nervous if my friends came and watched. Today it's not a problem anymore actually, because now I enjoy it. I see that they, you know, respect me immensely, and I try to put on a good show and show that I can still play very good tennis.
I never thought of myself as being that good looking, I was an actor, people saw me on television, and then they start to think you're good looking because of that presentation. I was no better looking before the show, than after - and before the TV show I couldn't get a date to save my life. So what changed? Did I suddenly become more good looking? No. I got lucky, I got a TV show. That's what happened.
For me, the greatest kind of success that I've had on a particular project or in exploring a role does come through collaboration. I wouldn't want to do a movie where everything I do the director just says, "Good job" and I'm under directed.
It would be nice to not have to prove myself, and for people to know that I'm good and can play a role. Whatever role that is that lets people know that I can play the next role is what I want to do.
It would be nice to not have to prove myself and for people to know that I'm good and can play a role. Whatever role that is that lets people know that I can play the next role is what I want to do.
There is a variety of different kind of producers. I'm a very hands-on, creative producer. I find material that I think would make a good movie or TV show, find the right financier/studio/network, hire a writer, get a good script, find a director, and collaborate with him/her to cast the movie and hire department heads.
I don't have role models or watch much TV. I go to awards ceremonies but often I don't even know who the people are. I think that's good, because then you don't have preconceived ideas about them.
Maybe it was just me shorting myself to hedge my expectations. As a fan, I was excited about the project. If you look at the body of work for the people involved, I was excited about the project, but I didn't really know. There were people saying, "I think we're going to be part of something huge."
If I am not excited about a project, then how do I expect my audience to watch my film? Give me good roles, and I will be working round the clock.
Well, I don't ever get excited. I haven't been excited since I got a Chopper bicycle when I was about 12. Once you get older you realise there's always a catch to everything. So when I get, say, a commission to make a TV show, the catch is that you have to deliver something and then the sense of responsibility overwhelms the joy of the occasion.
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