A Quote by Geddy Lee

That is what intrigues me; songwriting and song structure and expression. — © Geddy Lee
That is what intrigues me; songwriting and song structure and expression.
The jam stuff doesn't appeal to me in general. My newfound love for the Dead came from Robert Hunter and Jerry Garcia's songwriting, not the elaborate guitar solos. I'm a song person. Once it starts to break out of that structure and become loopy, it's uninteresting to me.
Songwriting was my own journey. I never fit in with structure in songwriting.
I would describe my style of songwriting as classic. I learned very early on and have stuck to the core principles of song structure regardless of which genre I'm writing in.
At the end of the day I'm not just sending beats in. I'm mixing the song. I'm recording the song. I'm engineering the song. I'm in the studio helping with the songwriting. I'm doing the whole beat - every single piece of it is me.
The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song. What do I write about? I never know.
I remember reading a book that was on songwriting at some point that I found in my dad's store, and just... I did not relate at all. I've always hated structure of all kinds, it just doesn't work for me. I can never fit into the schedules of other people. It's like putting a schedule on your song, and it doesn't allow you to be moved by your own music.
The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song.
What really intrigues me is that the totality of all possible Nows of any definite kind has a very special structure. You can think of it as a landscape or country. Each point in the country is a Now.
It's writing songs within the structure of telling a story, so it becomes a platform for diverse songwriting, for a writing process that's broader than just figuring out a song. You're also dealing with always pushing the story forward, with casting the voices, with the orchestration, with the arrangements.
Sometimes you're writing a song and you have an image whilst writing a song. I don't think you ever base a songwriting process around a video, but when you're writing a song sometimes it'll be a very visual song.
My head translates emotions into song. Songwriting is cathartic for me.
I see pictures in my mind and become the character in the song as I'm writing. It's kind of method songwriting, where you're the actor in the song.
People talk about songwriting or comedy as creative expression, but life is creative expression. Table-making, even nursing, is extraordinarily creative.
The melody and the structure of a song always comes first for me, so the emotions behind it can sometimes be a challenge: What am I feeling about this song? Where did the melody come from? I want it to be heartfelt.
I don't really have a set-in-stone process or formula. Sometimes the melody is there and I have to chase down the lyrics. Sometimes, the song is there and I have to make the melody fit. What I've learned so far about songwriting is that I can't force a song. If I try to do that, it's hollow, and people know a hollow song when they hear it. It's the song they stop listening to and forget about. I'd prefer not to write those kinds of songs.
The most common and most important result of them is that the nature and size of the effect on corresponding series of different elements are largely an expression of the peculiarity of their atomic structure - or, at least, of the structure of the surface.
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