A Quote by Geddy Lee

With the help of modern technology, I can compose intricate keyboard parts and then I have to go back and learn them in order to perform them properly. — © Geddy Lee
With the help of modern technology, I can compose intricate keyboard parts and then I have to go back and learn them in order to perform them properly.
My stories take three or four months to fix, and it's not magical of a process. Ultimately it's a boring, difficult process. I write everything out, and then the parts I think are funny I put in bold. Then I go perform it. Then the parts that aren't funny, I unbold them.
The L.A. Gay & Lesbian Center has this wonderful program where they take in the youth, feed them, help them learn how to cook, clean, they help them get jobs, help them learn how to save their money, and they have shelters all over the city.
I see all these students, and I admire them - they're trying to learn something, they go to school, they do film school, they go on shoots, they help. I'm sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was - that's the way I was - autodidact.
You have to learn to draw the same emotion you had when you wrote a song every time you perform it. Acting is the same way: You have to find those emotions and bring them to the surface, and then put them back when you're done.
We use the web to help people organize in the flesh, and then we take the images of those events and put them back on the web to make them add up to more than the sum of their parts.
Technology isn't a villain. Technology should help, but if you just use the technology for the sake of technology, then you're cheating your audience. You're not giving them the best story and the best direction and so forth.
There's a big difference between the Arabic and Western scales. One uses quarter tone system and one doesn't. So in order for me to compose real Arabic scale melodies, I would need an Arabic keyboard, and I don't have one. So I had to compose Arabesque melodies.
When I auditioned actors I never make them act. I choose a long symphony, then I tell them to sit down and I play the symphony for them. Then I sit and I look at them. I always pick a piece of music that has up and downs, very dramatic parts, very quiet parts and really sensitive parts so that it can produce different emotions.
Go to the people and live among them in order to know them and learn from them.
I always say that I can help someone who can already compose, but if they can't, I can't help them. I can advise on technical issues, of course, like how low the piccolo can go, but otherwise what's important is not wisdom but enthusiasm.
In climbing you are always faced with new problems in which you must perform using intuitive movements, and then later analyze them to figure out why they work, and then learn from them.
We should go to the masses and learn from them, synthesize their experience into better, articulated principles and methods, then do propaganda among the masses, and call upon them to put these principles and methods into practice so as to solve their problems and help them achieve liberation and happiness.
Making a record is a lot like surgery without an anesthetic. You first have to cut yourself up the middle. Then you have to rip out every single organ, every single part and lay them on a table. You then need to examine the parts, and the reality of the situation hits you. Then you pop it all back in, sew yourself shut and perform.
Usually I work with a digital camera and compose my works digitally or give them a finish on the computer, in order to make them meet my ideas perfectly.
Before we can properly help the people, we have to destroy the old education... that teaches them that somebody is keeping them back and that God has forgotten them and that they can't rise because of their color.. we can only build... with faith in ourselves and with self-reliance, believing in our own possibilities, that we can rise to the highest in God's creation.
If we go back to the beginnings of things, we shall always find that ignorance and fear created the gods; that imagination, rapture and deception embellished them; that weakness worships them; that custom spares them; and that tyranny favors them in order to profit from the blindness of men.
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