A Quote by Geddy Lee

I am moved more by melodies, song structure, and evocative textures. — © Geddy Lee
I am moved more by melodies, song structure, and evocative textures.
I've always had an ear for melodies, and they veer pop. My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
You know what, I am not gonna lie, that Taylor Swift 'Trouble' song? I can't resist that song. Her melodies are very catchy.
I suppose that being moved to write a song is more applicable to me, I have to be moved, I have to have a reason to write a particular song.
You can find me in the melodies, the chord progressions, the song style and structure. The lyrical places you fine me most are in the lyrics that 'show' more than 'tell.' I like to describe what the listener is seeing and let them make up the middle rather than telling them.
If you can even manage to tell exactly what a song is about, all you do is put that song in a box forever, and it loses its evocative power.
I am really obsessed with finding melodies that just hypnotize you and sink you into a song.
The melody and the structure of a song always comes first for me, so the emotions behind it can sometimes be a challenge: What am I feeling about this song? Where did the melody come from? I want it to be heartfelt.
My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
Everyone can write their melodies and chords and pianos and guitars, but what hasn't been discovered yet are tones and textures, and that's very exciting. Probably the No. 1 most important thing in my music is not to sound like anyone else.
We haven't really changed, we've just gotten better at executing what we've always been trying to do. We're not really a band that has undergone huge stylistic decisions to change, we're just trying to follow the song. More and more, we let the song lead us - we don't try and put the song into a structure of our taste or our fashion.
I love countermelodies, I love hooks and melodies that stick in your head. If I could put 20 melodies in a song and they would all work together, I would.
God sings, we hum along, and there are many melodies, but it's all one song - one same, wonderful, human song.
I like the sounds of EDM; the guys create new sounds, beautiful sounds. The melodies, it's a little less. I like the kind of melodies I did with Donna Summer, or 'Flashdance,' where you have a verse, a chorus - a song setup.
The human psyche creates structure. We all go through our lives like, 'Oh! And then I moved here.' We're pattern-seeking, structure-producing machines.
The more spastic song structure I have, the more I hate it afterwards.
The melodies were melodies that anybody could sing or hum or whistle. And the words were just about that simple. I think the stories Hank told in his song fit so many people. Nearly everybody in the audience acted as if Hank were singin to them alone.
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