A Quote by Geena Davis

I think if you're doing a play, you're rehearsing enough that you get to a point where it's freeing again. But in a movie, if you rehearse too much, now you've just shown everybody what you're going to do. And any element of surprise or impulsiveness is taken away.
The stuff that I make and the things that I talk about, you have to listen, so if the beat is doing too much, it's going to take you away. If the hook is too distracting, it's going to take you away. The hook just needs to be enough to get you from one verse to the next.
No, now he didn't want to let himself get too close because he knew it wasn't going to last. Good stuff never lasted. Change would come and wipe it away, and what was the point? It hurt too much every time it was ripped away and he was getting tired of losing pieces of himself. Pretty soon there wouldn't be much left, just scraps of gristle and bone without feeling. He didn't need that
I was a barfly, so going to work and acting and rehearsing and then going and sitting in a bar and drinking and then going home was sort of my lifestyle. And there was none of that out here in the '70s when I was lucky enough to get movies, and nobody else that I knew was working in movies at that point. I didn't really have a lot of movie friends.
Everything that we love will, at some point, be taken away from us. If I think about everyone I love eventually being taken away from me by death, or simply by getting lost from each other in the world, it makes me value them much more now. And I'm much less likely to be indifferent. For me, indifference is the end of life.
I love the rehearsal, as long as it's not over-rehearsed. I love it when the actors can rehearse until we feel really comfortable, and then the crew come in and shoot it. I'm not especially a big fan of rehearsing with the crew and the crew rehearsing and, "Let's rehearse this tracking dolly shot 25 times until it's just right." Television has to be shot a certain way to have a certain look. And sometimes the tried-and-true method is the best.
Everything that we love will, at some point, be taken away from us. If I think about everyone I love eventually being taken away from me by death, or simply by getting lost from each other in the world, it makes me value them much more now.
But I just felt at one point that I was on a hamster wheel, you know? Just doing movie after movie and thinking so much about career related things and I think missing out on hanging with my friends and family as much I needed to.
It just tends to be that the grass is always greener. If I'm doing a movie, I suddenly think, 'Oh God, I wish I could just get a play script I could get my teeth into.' If I'm doing eight shows a week in a West End musical, I think, 'God, how lovely it would be to be in a TV series right now.'
We can just keep doing it the way we're doing it. We can attack everybody for small-minded things and crush everybody with a new idea. And where are we going to be? Where we are now - behind. Or we can embrace new things and try to be positive and let everybody play a role.
If you're going to play a hooker in a movie, the movie has to have the perspective, of course, that it isn't such a great thing. Probably the only way to really play a hooker well is to believe you're doing something that's good. But at the same time, the movie can't have that point of view.
When I rehearse, it ends up doing more harm than good. I think I work a little bit better when it's right off the bat. Mostly, I try to wrap my head around a role as much as I can without rehearsing and then kind of make it as fresh as possible on the day.
I think its one of the great principles. The element of surprise, I mean, you could take a force that's not nearly as strong and with the element of surprise you could wipe out a much more powerful force.
I think sometimes when things are taken away, then you don't realize how much fun it is to come out here and play this game. You can't play it forever, so I'm going to enjoy it.
On indies it's hard to do, but in rehearsals, you make mistakes in rehearsal. It's really hard rehearsing a play or what rehearsal you get on any movie. That's where you get to make your mistakes, and you make big ones. So when you shoot [the movie] or you finally get the play in shape and do it, the mistakes are out of the way. If you're not afraid to make mistakes, then there is no writer's block or actor's block.
It is important to stop being critical and judging ideas as good or bad because I think if somebody doesn't have a lot of experience you worry their idea is going to be bad, it's not going to be good enough, if not going to be active enough and so you can start to think critically about people's suggestions or what they bring to it but once you get out of that and think whatever they come up with is the right thing right now and so I'm just going to build on it just makes everything so much easier and better.
You don't get to rehearse much on TV. You are kind of rehearsing on film. Depending on the way you work, that's either a good thing or a bad thing.
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