A Quote by Geena Davis

The big takeaway I got from 'Thelma & Louise' was the reaction of women who had seen the movie being so profound, so different. It was overwhelming, and it made me realise how few opportunities we give women to feel excited and empowered by female characters, to come out of a movie pumped.
It's sad that women characters have lost so much ground in popular movies. Didn't 'Thelma and Louise' prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.
It’s sad that women characters have lost so much ground in popular movies. Didn’t Thelma and Louise prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.
'Thelma and Louise' was a pretty important film for me and still is. It's a social film about many things - gender, freedom - and it puts someone like me into the place of these protagonists. Watching that movie, you are living through the eyes of these women.
I didn't think of 'Thelma and Louise' as a feminist movie.
Sometimes you feel all alone. You come out of a meeting, and something sexist has been said to you: That movie will never be made with that female lead. And you think, 'How am I ever gonna get another job?' When you hear other women having the same experiences, it makes you feel like, 'Well, I'm gonna keep going, and we're gonna fight this system.'
'Thelma & Louise' really hit a nerve, and I loved that movie.
I can't stand [female] characters that are not empowered in a certain way, or at least don't come to a conclusion at the end of the movie where they find empowerment in themselves.
I feel some responsibility, being one of the few women directors who are being given opportunities. Sometimes, that makes me want to take on some big franchise because I want to show people that women can do it.
Saks helps to empower women through how they look and feel - and Bumble wants to give all women a platform to connect with other empowered women, whether that's in dating, friendship, or business.
Most companies target women as end users, but few are effectively utilizing female employees when it comes to innovating for female consumers. When women are empowered in the design and innovation process, the likelihood of success in the marketplace improves by 144%!
It used to be that you had to make female TV characters perfect so no one would be offended by your 'portrayal' of women. Even when I started out on 'The Office' eight years ago, we could write our male characters funny and flawed, but not the women. And now, thankfully, it's completely different.
My whole theory about why I couldn’t find any creators who realized they were leaving out female characters is because they were raised on the same ratio. I just heard someone the other day call it either ‘smurfing’ a movie, which is when there’s one female character, or ‘minioning’ a movie, which is when there’s no female characters.
You can't do a movie without villains. You have to have something for the heroines or anti-heroines to be up against, and I wasn't going to contrive some monstrous female, but even if this were the most men-bashing movie ever made-let all us women get guns and kill men-it wouldn't even begin to make up for the 99% of all movies where the women are there to be caricatured as bimbos or to be skinned and decapitated. If men feel uncomfortable in the audience it is because they are identifying with the wrong character.
There's more empathetic representations than we're used to seeing. I honestly feel like in the early days of Hollywood, women did have those. Women had very traditional roles in society of wife and mother, but when they went to the movies, they got to see women be, like, really cool, amazing characters and femme fatales and all of this. And then there was just this systemic reaction where it was all about, "How do we make money?" And everybody wants to sell things to boys. And then women's entertainment became devalued in a way that I think is disrespectful and hurtful.
I don't know if you've ever seen some of the Sidney Lumet movies, like Dog Day Afternoon [1975] or Network [1976]. They're real events that happen in real time, and there are all of these different characters experiencing the same thing in different parts of the movie ... I am so bad at explaining my films. But it's in the world of finance and the world of media, and how they connect. It was a big undertaking. A big, mainstream movie, which stars Julia Roberts and George Clooney. But for me, it's really just a small story about character and people.
Women like to watch women fight because it makes them feel sort of empowered physically and mentally. They feel kind of jazzed and excited by it.
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