A Quote by Geena Davis
Certainly 'Wonder Woman' needed to be made, and I'm so beyond thrilled with how it came out. I met Patty Jenkins, and I told her, 'I'm sure you're going to make a sequel, and if you need anybody Amazonian, there's always me. I'm available.'
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By the way, Wonder Woman is Amazonian, and historically accurate Amazonian women actually had only one breast. So, if I'd really go 'by the book' ... it'd be problematic.
They always say 'Is there going to be a sequel to Bad Santa?' and you know, I mean, a long time ago they would talk about, you know, we're going to do a sequel to that but it was never serious. And they said 'Would you do it?' and I said out of all the movies I've done, that was a lot of fun, and maybe I would do a sequel if it ever came up and it made sense, but I said I don't think that's ever going to happen.
Trent Lott saved my family. I needed three things from him personally, and he came through for me. He made sure that the ice that we desperately needed was delivered. He got us ice, insulin and water. The food came as well. He put politics aside and made sure my family was ok. I will always thank him for that.
You know, I've lived a long time," he told me, massaging my calf more firmly now. "And I met a lot of people. But I ain't never met a woman made me want to beat her to death as often as you.
I believe in Wonder Woman and the true spirit of Wonder Woman, and I wanted to tell that story. I didn't want to make her an alt version of Wonder Woman.
Everything I ever needed came out of a radio and a dashboard. My Mount Rushmore of what was cool came out of a radio - Trisha Yearwood, Patty Loveless, Mark Chesnutt.
I realize that this is not what you want to put on a cover with Wonder Woman emblazoned on it. She could be in trouble, but she doesn't need to be completely out of control. So whenever I'm doing these covers, I try to make sure that there's an element where, even if there is danger, it's not something where agency is taken away from her.
I certainly would like to prevent, if I could legally, anybody having an abortion, a rich woman, a middle-class woman, or a poor woman. Unfortunately, the only vehicle available is the…Medicaid bill.
I told my wife, 'Look, I'm going to ask y'all to sacrifice. I need to go to Portland. I need to lock in.' At that time, I felt like my career... was on the line. So I told her, 'This is what I need to do. I'm going to be without y'all for a while. Y'all can come out and visit. But this is what I need to do.' She understood.
I need to capture my sprite with trembling hands. Except I could crush her. Wonder how many small things of beauty - flowers, seashells, dragonflies - have met such a demise. Wonder how much fragile love has collapsed beneath the weight of confession.
She had time to make room for him in her closet. The cat had time to get used to him. They had all the time they needed, because he'd told her he was hers, and he was a man of his word. "I've got all I need," she told him. He leaned down and kissed her again, then stroked a finger over her temple, tucking a loose strand of hair behind her ear. "I want you to know," he said. "That you're the best choice I ever made." "No regrets?" "No regrets.
I came to America, and I made good. It's an old story, but it hasn't been told in a long time. Usually, it's, 'I'm an immigrant, I came here and got persecuted.' My story is I came here, I worked hard, and it worked out all right. So it's still available.
It seems that's where Bill Clinton came in last night because he told this long story about how they met [with Hillary Clinton], how he courted her, how he bought a house to convince her, I think after the third proposal, to actually marry him. And he talked about her activism and her commitment and everything. And it was as if he could tell the narrative in a way that she couldn't.
I remember when I first met Jason Reitman with the 'Whiplash' script; he quickly became a mentor figure who guided me through the process and also protected me and made sure that when it came time to actually make 'Whiplash,' I was able to make exactly the movie I wanted to make.
If you got a dope girl, there's going to be people that want her. But I don't know, I've always kept my 'A-game' on point. I just make a point to make sure the woman that I'm with is taken care of. You got to keep it new, so I go out of my way to make them feel special.
When I met her she was Anna Mae. I was the one who turned her into Tina Turner. I had to tell her how to dress, how to walk and how to talk on stage. I told her how to stand and how to look, the whole thing, man, I mean from the wig down.
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