A Quote by Geezer Butler
Lately, I've been listening to some jazz albums. I love the new Pat Metheny album. John Coltrane. I still like good metal, though!
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Lately, Ive been listening to some jazz albums. I love the new Pat Metheny album. John Coltrane. I still like good metal, though!
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
When I was 12, I began listening to John Coltrane and I developed a love for jazz, which I still have more and more each year.
My thing was, I loved music. I played music: I played the saxophone. So the little bit of music knowhow I had, I tried to implement that in every thing I did, from my style, my cadence, the way I tried to pause and stagnate it; that all came from John Coltrane and listening to jazz albums. Trying to rhyme like a jazz player.
I grew up listening to John Coltrane and jazz, so they were subtle influences. I sometimes think about doing some kind of weird jazz record, but I don't know... It's on my list of things to do. I don't want to have to then go promote it.
I came to Berklee to study guitar, I really wanted to be a jazz guitarist, and I really came because I really wanted to come for Pat Metheny, and then when I get to Berklee, there's no Pat Metheny, he's not there, and so now what do I do?
It's easy to mock a man who has founded a religion based on John Coltrane, who considers 'A Love Supreme,' whatever its merits as a jazz album, to be holy scripture.
A respectable-sized audience hasn't really been able to follow developments in jazz since the free jazz movement in the '60s. Some of them can't even get with John Coltrane. Audiences are diminishing more and more rapidly. Some of the top young musicians with something new to say can't get record companies to put out their stuff.
Grover Washington was my main influence, and when I went to college, I started listening to more of the jazz masters like Sonny Rollins, Cannonball Adderley, and John Coltrane.
Well, Grover Washington was my main influence and when I went to college, I started listening to more of the jazz masters like Sonny Rollins, Cannonball Adderley, and John Coltrane.
Pat Metheny's my hero, man. I've got so much from Metheny's music.
Lately I've been listening to some classical music again, some jazz.
Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I love, you know, a lot of jazz, John Coltrane.
I was raised on jazz. My father, from the time I was born, used to get up early on Saturdays and Sundays and put on Count Basie, Duke Ellington, Kenny Burrell, Sarah Vaughn, John Coltrane - all these great, classic albums.
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