A Quote by Gegard Mousasi

Some good fighters, they never won the belt, so it doesn't always show the whole picture. But it's an accomplishment. — © Gegard Mousasi
Some good fighters, they never won the belt, so it doesn't always show the whole picture. But it's an accomplishment.
The destination is the belt, but you never arrive at just the belt. You're always on the way to something else. You never truly arrive anywhere. But winning the belt, it's a nice pit stop.
A lot of the time you have good fighters with good records, some top-class fighters, and they do some kind of crazy stuff, and there's nothing that you can do to stop them from doing it. That's the hardest part of training others.
Before the bell you fellow your family's name. Carrying the belt doesn't change me as a person. But I want to represent myself well. Some people want to show off their belt - but I'm not into that nonsense. I am who I am with or without the belt.
Both of my parents were judo fighters from the national team. So I've always been around fighters my whole childhood.
I'm in a relationship and have never been on Tinder as a single woman, but from what I have seen, I think it is always good to have a picture with an animal to show that you are kind.
A belt does nothing but hold your gi together. A belt has assigned significance, a belt is someone else saying you're good, you don't need other people saying that you're good in order to be good.
Some fighters know when to stop on their own and go on to something else, and then some fighters have nothing to go back to after they are finished. Some fighters still have the burning fire and feel that they just need to try one more time. Few can do it.
I always want to read the script and know everything and at least understand the context of the world that you're in and why you're there and all that stuff. It's good to know something. I like to know, but I've never been one of these, 'Just show me my stuff,' no, I like to know what the whole picture is so I can understand how I fit into it.
It's always good to go from a heavy song to a softer one. It helps having the attention of the audience for the whole show - three hours of the same songs for the whole show is boring.
My scripts are always filled with notes. I like to just analyze everything from the point of view of the whole picture, of the movie, my whole picture.
You'll always have people saying 'these guys look good' but there's a difference in what we're looking for. We want our fighters to look like fighters, sure, but the moves still have to look good.
There's something special about working with picture and adding music to picture that really takes you to a whole new level. It's always the director's picture first, and I'm there to help tell the story.
Photography has almost no reality; it is almost a hundred per cent picture. And painting always has reality: you can touch the paint; it has presence; but it always yields a picture - no matter whether good or bad. That's all the theory. It's no good. I once took some small photographs and then smeared them with paint. That partly resolved the problem, and it's really good - better than anything I could ever say on the subject.
I think Ali was a fan of mine, even though he never said it. A lot of fighters thought I was pretty good. Nobody every really spoke different on that. But a lot of fighters thought I was good so.
I learned in my early years in the theater that I would never become the guy on top. I'll never create a show; I don't have a brain expansive enough to see the whole picture, in a way that would behoove anyone.
Bellator is open to a fighters union - fighters binding together to see what's in our best interest. That's something you can't even breathe about elsewhere. I think it's a good thing for myself and other fighters to have that.
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