To be honest, at the beginning of 2019, I never thought about making my ODI debut.
I'm making my Broadway musical debut at the age of 73 - it's a kind of interesting career arc.
I guess making my debut outside of England would have been a bit more difficult but it was nice to debut somewhere that you're familiar with.
From making my international debut as a 16-year-old to now 37, it has been a good 21 years of my prime life spent not at home but at the ground - different countries, hotels, grounds, coaches, travel etc. It's been a very privileged journey.
My debut album is just a diary from a lonely 21-year-old. That's what it is.
I can't remember when I've liked a character as much as I've liked young Lyle Rettew, or when I've cheered one on so hard, despite the fact that he's clearly crazy and his quest is doomed. A thunderous debut, and the beginning of what will surely be a breathtaking career.
There are quite some interesting roles. Just take my career for instance. I played a vivacious aerobics instructor in Porki.' In my Telugu debut Bava,' I played a lively girl from a village. In Udayan,' my Tamil debut, I played a soft spoken Brahmin girl.
In the beginning of your mixed martial arts career, you're not making good money.
Not necessarily in the beginning, thinking I would have a career in comedy, but I was always interested in making people laugh.
The experience I gained at age 21 would be useful if I were ever 21 again. But I'm 71 and new at it and keep making age 71 mistakes.
I can barely remember what I was like 36 years ago when I was 21 years old.
I did my New York debut at 21. It was “On the Town” at the George Gershwin Theatre. New York is my artistic home.
I did my New York debut at 21. It was 'On the Town' at the George Gershwin Theatre. New York is my artistic home.
I won an award for my debut film. However, my career went up and down after that but I kept getting work. I did whatever excited me and did not think which role or film will change my career.
Back at the beginning of my career, I had to make all these sacrifices - sleeping in a car on nights where I'd wrestle in front of 20,000 people - because I wasn't making any money.
For me, you could say my big West End debut was 'Cursed Child,' but I'm in my 40s, and it's like, 'When is that beginning?'