The voices of moral authority in the theatre demanded only punctuality and physical performance. In the light of continuing pressure and stress, the occasional lip service paid to moderation was meaningless. Starvation and poisoning were not excesses, but measures taken to stay within the norm.
After moral poisoning, one requires physical remedies and a bottle of champagne.
If you're writing in the mainstream... Whatever that is - the norm. The norm is likely going to be funded because you're giving people what they're used to and what they're gonna get. But anything outside of that norm is going to struggle to get funded. The people who are not "the norms" deserve the chance to make art. I think it's great for all of us to consume all these voices, and that happens when you support these voices that need to be supported because they're not the automatic choice coming out of the gate.
Even in South Africa, the Commonwealth were not doing anything, and their attitude was to tolerate apartheid in South Africa. There was a lot of lip service being paid to the need to stop this practice, but nothing was done.
Many have paid lip service to philosophy, but these men served it with their whole heart. He tastes nothing who has not tasted for himself.
But it is just when opinions universally prevail and we have added lip service to their authority that we become sometimes most keenly conscious that we do not believe a word that we are saying.
No one is obliged to take a position on the urgent issues of the day, but there are times when our impoverished public sphere could do with some occasional assertions of literary and moral authority.
Each of us is here to discover our true selves; that essentially we are spiritual beings who have taken manifestation in physical form; that we're not human beings that have occasional spiritual experiences, that we're spiritual beings that have occasional human experiences
1963, because of the sense of moral authority that the civil rights movement had, we were able to get people to respond, because of the quality of our demand and our sense of moral authority.
Being a comedian, you're under pressure. You have to deal with stress and pressure to perform - to deal with pressure without stress.
For me, most comedy scripts fail in the mechanical playing-out of the setup. They'll pay lip service to a moral lesson or a psychological progression.
No matter what you're doing, whether it's a makeup tutorial or an interview or a lip sync, performance is the essence of drag. It is gender performance. Being able to produce a performance is what a superstar has to do.
The only time I went out was to go to bars at night and all the pictures were taken with a flash because there was no light at all. However now I'm very interested in light.
... my convictions led me to adhere to the sufficiency of the light within us, resting on truth as authority, rather than 'taking authority for truth.'
I wanted to be a pro volleyball player, and I fell in love with performance and audience response. The pressure of performing and doing something that I love doing in front of people who were grateful to see it. That relationship sort of worked out to be acting and theatre.
Keep to the middle if you wish to keep moderation. The mid way is the safe way. Moderation abides in the mean, and moderation is virtue. Every abiding place outside the bounds of moderation is only exile to the wise man.