A Quote by Gemma Jones
I don't colour my hair, and I look like the back end of a bus, so I get asked to play old people.
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I think the parts I was offered when I was younger, where I was asked to play that kind of slacker person, that was just because people would go, "Oh, she has dyed black hair." I guess that's how they thought I looked. I played a couple of those roles, and then unfortunately you get pigeonholed really fast, and then you just keep getting asked to do that. And now it would be weird at the age of 46 for me to play a slacker. It would look like I was nuts.
I would often take this bus and go to a nearby village where I had hordes of animal friends. I was hardly around four or five years old then. The conductor was so used to seeing me hop on to the bus and get down at the same place, that he never asked any questions. The strangest part is, he never asked for a ticket either!
My first artist bus was Jason Aldean's old bus, with deer antlers over the lights and cowhide on the back of the couches. It was such an absolute dude bus.
You are absolutely beautiful," Anne said. "But if you see yourself, you'll want to pin your hair back like a shepherdess in a bad play." (Eleanor) "Are you saying that I normally look as if I'm tending sheep? With straw in my hair? As if I might yodel?
I wanna get back To the old days When the phone would ring And I knew it was you I wanna talk back And get yelled at Fight for nothing Like we used to Oh kiss me Like you mean it Like you miss me Cuz I know you do I wanna get back, get back I wanna get back, get back I wanna get back, get back Get Back
I think for women, especially women of colour, hair has so much to do with our identity and our confidence levels. I've made a conscious choice after growing up and feeling insecure and trying to achieve this look that actually wasn't me, where I've finally stopped relaxing my hair and went back to my natural texture.
Look, I don't really know where we should take this bus. But I know this much: If we get the right people on the bus, the right people in the right seats, and the wrong people off the bus, then we'll figure out how to take it someplace great.
I had an idea for a story about a young woman who was living with people who were different, not just superficially different - such as hair colour, or eye colour, or skin colour - but different in some significant way.
It's very nice to be asked to anybody's wedding. Particularly if it's the Prince of Wales. I learned a lot from it, which was to end early and get away. I suppose one would have to look back historically and see who other royals had at their weddings. Were there people at Queen Elizabeth's wedding who were common like myself?
At the rear of the bus, the driver wrenched a big chunk of smoking metal out of the engine compartment. The bus shuddered, and the engine roared back to life. The passengers cheered. Darn right!" yelled the driver. He slapped the bus with his hat. "Everybody get back on board!
I was always happy with my look and with my hair, and so when I look at the old pictures, I don't like the hair now, but I was happy for that moment, and that's great.
People act like art is a white thing - or not for people of colour - when, really, so much culture and art comes from people of colour. I want everyone to get into what I am doing. So sometimes I don't like to work just in an art context because it feels like a lot of people aren't going to see it. I like it to be a part of everyday life.
To play on top of a bus is something we've never done before - we did play on the Red Bull Tour Bus once in Bangalore last year, but it's always a one of a kind of experience to jump on the bus and sing.
I look at old performers like James Brown: back in the day when you actually had to work hard to get poppin'. I look at all those types of performers. Even like Kid n' Play and the Fresh Prince and Jazzy Jeff and Salt-N-Pepa. That era where they had to perform. You couldn't just rap. It had to be an entire performance.
People are released from prison so unprepared. They give you $200. We call it gate money. And you have to pay for a bus ticket back to L.A. You get off the Greyhound bus, downtown Skid Row, and you're supposed to make a life from that.
Someone asked me recently, "Do you get sick of people asking you about your hair?" And the reason I don't is because I actually feel like you could chronicle my journey of self-acceptance through my journey with my hair. It's a badge of something bigger.
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