A Quote by Gemma Ward

I got on stage for the first time when I was seven. From seven until I was about nine it was probably more to do with just being on stage and having the attention. — © Gemma Ward
I got on stage for the first time when I was seven. From seven until I was about nine it was probably more to do with just being on stage and having the attention.
I went to work at seven in the morning. Around noon time we got the watery soup. And we worked until seven or eight or nine at night, sometimes later. And then I walked back home - there was no public transportation - into that shared room. And if there was food we would prepare an evening meal depending on what was available. And then probably go to bed because it was cold most the time. And then start the day all over again, six or seven days a week.
My dad was in the Korean War. He got shot seven times. He had seven bullet holes in him. And out of his troop of 35 guys, he was one of nine guys that came back. And when he came back from that he had seven kids in seven years.
The first time on stage is such a blur to me. I remember how it felt more than anything. I remember everything about the day before I went on stage - what I ate, the first person I met in the club, how I felt beforehand - but the actual being on stage is a total blur.
I remember going on stage for the very first time as a solo act, I was probably, like, nine or 10 years old. And being backstage, I started having anxiety... I was literally getting sick.
I write a lot of material you've never heard that live inside my sadness. You'll hear a song that lasts six to seven minutes of just beautiful sadness. But I can't just go out on the stage to ask five thousand people to be sad with me for seven straight minutes.
In the late '60s, I was seven, eight, nine years old, and what was going on in the news at that time that really excited a seven, eight, nine year old boy was the Space Race.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
In all religions, we hear of the Seven Planetary Genii: the Hindu tells of Seven Rishi, the Parsi of Seven Ameskaspentas, the Mohammedan of Seven Archangels, and our Christian religion has its Seven Spirits before the Throne.
The first time I can remember being on a stage in front of an audience was one that came with triumph, adrenaline and a childlike tragedy. The first time I was on a stage, it wasn't even a music concert. It was a magic show. That being said, the life I lead now isn't what you would call 'destiny'.
In general, I'm pretty shy and nervous about a lot of things. For me to get on stage for the first time took so many times at an open mic before I finally got on stage and did it.
I won the speech competition in class, and I always say this was my first 'spoken word performance.' It was the first time I got on stage and recited something. I fell in love with the stage at the age of 12.
I knew already when I was seven years old, that I wanted to be on stage and entertain people. I sell laughs. Here, you got one for free!
When I was little, all I could think about was just being on some kind of stage, whether it be on a live stage, whether it be on a set stage.
All the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.
There are lots of incredible people who are working in very flawed structures that are designed to keep us apart, so we're going to have to figure this out. The first stage is just talking about it openly: We are all working within structures where there is a disincentive to do what we most need to do, which is come together. I don't know what the answer is but I definitely think that that first stage is just being honest about it and trying to speak about it in a way that is not just accusatory.
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