A Quote by Gena Rowlands

John Cassavetes wrote A Woman Under the Influence as a play. He said, "Hey, I wrote you a play." And I said, "Great, let's read it." I read it and I said, "John, I couldn't do this every night and twice on Wednesday and Saturday".
It was a very hard play [Woman Under the Influence] to do every night. And John Cassavetes said, "Don't worry. Don't even think about it, you're right. I hadn't thought of that." He said, "Just forget it."
I remember Emilio [Estevez] and I were at John's house during the rehearsal process. And John [Huges] had mentioned he wrote the first draft of Breakfast Club in a weekend. And we both at the same time went, "First draft? How many do you have?" And John said he's got four other drafts. And we go, "Can we read them?" And for the next three hours, Emilio and I read those other four drafts.
I heard about the book and I said, 'Oh my god, I've got to read this book,' and I didn't know that a white woman wrote it. Nobody said that to me, they just said, 'The Help - Oh my god, you've got to read it.' Everyone failed to mention it was a white woman, I think, because nobody really wants to talk about race.
I wrote a script, and I gave it to a guy who reads scripts, and he read it, and he liked it, but he said he thinks I ought to re-write it. I said, "Fuck that - I'll just make a copy!"
I got the pilot for 'Scrubs' sent to me, and in the margin for Dr. Cox, it said 'a John McGinley type.' So when I went in to audition, I said to Billy Lawrence, who's a dear friend of mine, I said, 'Well, I'm John McGinley.'
[Trey Parker and Matt Stone]called me one Saturday morning and said, "Can you do an impression of Conan O'Brien?" And I said, "I don't know." Because that was really... He hadn't been on the air that long, and to be honest, I hadn't watched much of him at that point. So I went to Santa Monica to their studio and said, "Well, what does he sound like?" They said, "Well, just try it one time. Read the copy." And I read the copy one time, and they went, "Okay, that's fine. Thanks a lot, that'll do. That's perfect."
[Larry Kramer] even wrote this angry letter to the president of Yale, and in it he said what he said to us, that he was so disappointed in his straight friends because of AIDS and everything. He wrote the letter around March. And in it he wrote, "I usually go to the Trillins for Christmas, but I just couldn't do it this year."
I never understood a word John Cassavetes said. And I think he did that deliberately.
John Farrar, my dear friend and songwriter/producer of most of my hits (he wrote "You're The One That I Want" and "Hopelessly Devoted to You," among others), wrote the song ["I Think You Might Like It"] and it captures so much fun and joy! Having that reunion as well, with John and John - made the project even more special!
John Travolta, who said, My Saturday night fever was nothing compared to my Sunday morning rash. Never got a dinner!
John Kerry said today that he wants to get rid of tax cuts for the rich and his wife said, 'Hey, shut up! What's the matter with you?! Are you nuts?!'
I'd rather do 'She's So Lovely' that John Cassavetes wrote versus doing 'Batman.'
I didn't want to teach my kid how to read, so I used to read to him at night and close the book at the most interesting part. He said, “What happened then, daddy?” I said, “If you learn to read, you can find out. I'm too tired to read. I'll read to you tomorrow.” So, he had a need to want to learn how to read. Don't teach children how to read. Don't teach them mathematics. Give them a reason to want it. In school, they're working ass-backwards.
Of course I would change anything if John Cassavetes said so - it's his script. But he was very easy about that.
When John said that he wanted me to play with him on piano, I told him that there were many others who were qualified. He said, 'I want you there because you can do it.'
If a guy came up and said 'we got a polka band and we're going to play polkas next Saturday night' I'd play polkas.
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