A Quote by Gena Rowlands
Of course I would change anything if John Cassavetes said so - it's his script. But he was very easy about that.
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It was a very hard play [Woman Under the Influence] to do every night. And John Cassavetes said, "Don't worry. Don't even think about it, you're right. I hadn't thought of that." He said, "Just forget it."
John [Cassavetes] loved actors. He gave them a lot of freedom. So if something came up that a certain actor just felt at the moment and said - that kind of improvisation he would accept. He gave very little direction.
John Cassavetes wrote A Woman Under the Influence as a play. He said, "Hey, I wrote you a play." And I said, "Great, let's read it." I read it and I said, "John, I couldn't do this every night and twice on Wednesday and Saturday".
I never understood a word John Cassavetes said. And I think he did that deliberately.
I would not have said anything about Mr. Trump, never - I would never have said anything if he didn't call himself a Christian. It'd be none of my business whatsoever to make any comments about his language, his vulgarities, his slander of people, but I was deeply troubled ... that here's a man who holds up a Bible one day, and calls a lady "bimbo" the next.
It's sweet to hear, but anyone who says that they want to be the next John Cassavetes is crazy. He had it so tough. No one would want to walk a step in his shoes. Believe me - I wouldn't.
John [Travolta] and I have remained very close friends ever since we did Grease. When I was told that "You're the One That I Want" was named the #1 duet in history and, during a text chat with John letting him know he said "we should record a Christmas song." Of course I said yes.
I told my friend - we were working on a movie together - and he gave me a script and asked me to give him notes. And they were all male characters, and I said, "You know what would make this character more interesting?" And he asked what - and it's this road trip between three guys, basically, one older man, one 30-year-old and a 13-year-old mechanic. And I said, "If you make the 13-year-old a girl, and you make her an Indian-American mechanic." And he said, "What do you mean?" And I said, "Yeah, don't change anything in the script about him, and just make it a her."
When I was young, I was really, really obsessed with Gena Rowlands and John Cassavetes. Because my mom was a projectionist in college, she was somehow able to get a real projector. And she had some connections, so she would get real prints, and we'd put up a sheet. The first movies I saw were To Kill a Mockingbird [1962], Gigi [1958], A Woman Under the Influence [1974]. Then when I was old enough to be able to rent movies, I went through a very big Cassavetes phase.
I was a big fan of John Cassavetes, his wife, Gena Rowlands, and that era of filmmaking which was about realism and which represented the antithesis of the dreamy escapism you found in musicals.
When I made 'The Notebook,' the director, Nick Cassavetes, who is John's son, used to show me his father's movies.
I'm quite curious and excited about seeing a new script for 'Blade Runner.' If, in fact, the opportunity would exist to do another, if it's a good script, I would be very anxious to work with Ridley Scott again; he's a very talented and passionate filmmaker. And I think it would be very interesting to revisit the character.
I feel that if I said anything about John, I would have to sit here for five days and say it all. Or I don't want to say anything.
Don't hold me to anything in the book. I'm a waffler. I like wafflers. They said John Kerry was a waffler, but I admired him for that - showed he could change his mind.
Im not someone whos ever said anything definitive about his work. In my life also I have very little fixed form. I can change overnight.
When I was growing up, all the films about teenagers were played by Tony Curtis or John Cassavetes when they were 27, 28 years old. We would see these teenage movies in the theaters and I would say, "They don't look like they're my age at all." So I wanted to make a movie that was real and I wanted to make a movie that wasn't about me.
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