A Quote by Gena Rowlands

So after the Shadows he acted and directed. And it worked out very nicely. And he wrote, obviously. — © Gena Rowlands
So after the Shadows he acted and directed. And it worked out very nicely. And he wrote, obviously.
Previously, I've worked with Bill Monahan on The Departed, he recently wrote American Desperado for us, and I just acted in a movie he directed called Mojave. So, yes, Jimmy, that goes without saying.
John [Cassavetes] had shot a great deal of Shadows and I had to go fulfill my contract in California, so he and all the rest of the Shadows cast came out to California and they finished it off and he cut it. He turned the garage into an editing room and he was by then a director of Shadows. That's the only thing he'd directed. But, he loved it.
They were nicely written and nicely directed episodes [Star Trek: Enterprise]. I enjoyed working with Scott [Bakula]. So it was good to do, and, as you said, it did serve to enhance the Soong legacy.
I worked at 'Mademoiselle,' and then it shut, and I worked at 'GQ' for three years, during which I was freelancing. I wrote for 'Vibe.' I did music reviews. I wrote for 'Time Out.' I was desperate to get into 'Entertainment Weekly' or 'New York Magazine.' Like, desperate.
I never acted in anything I've directed but I have produced a number of films and I have acted in some of the movies I've produced. Usually with first time filmmakers and pushing a move forward I have played a small role but never the lead.
Illusions are shadows moving endlessly across the ground. The shadows are quite real but they're shadows. They have very little substance.
I acted when I was young, but at 19, I had my own theater company where I acted but also directed. I also did some theater in Los Angeles. So I was always wanting to direct, even before I became an established actor.
Coleridge wrote, "Dreams are no shadows, but the very substances and calamities of my life.
With acting, if a friend asked me to be in a movie or TV show, there's a lot of things on my résumé I did without reading them or knowing what they were. I just said I'd do that because a friend wrote it, directed, produced, acted in it. With directing, I'm sticking to my guns, not that a lot of people are begging me to direct.
I'm an attorney when I'm not writing comics, and have been for years. That's a side of my life I don't always associate with pure creativity, but it's all worked out nicely.
When I was fifteen I wrote seven hundred pages of an incredibly bad novel - it's a very funny book I still like a lot. Then, when I was nineteen I wrote a couple hundred pages of another novel, which wasn't very good either. I was still determined to be a writer. And since I was a writer, and here I was twenty-nine years old and I wasn't a very good poet and I wasn't a very good novelist, I thought I would try writing a play, which seems to have worked out a little better.
I've written virtually as long as I've acted, it wasn't a sudden transition. I acted in my first play when I was 16 and I wrote my first play when I was 17.
In boxing, some fighters have good chins. You just have to be persistent and continue following the plan and trying to catch them nicely and, obviously, hope to be knocking him out.
The written word, obviously, is very inward, and when we're reading, we're thinking. It's a sort of spiritual, meditative activity. When we're looking at visual objects, I think our eyes are obviously directed outward, so there's not as much reflective time. And it's the reflectiveness and the spiritual inwardness about reading that appeals to me.
I produced and directed a movie a couple years ago that won some awards that Samuel Goldwyn released called 'The Last Good Time'. I wrote, produced and directed it, but I wasn't in it.
I think in the immediate days after 9/11, the administration acted very, very well. I liked the decisiveness of it.
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