A Quote by Gena Showalter

I just write the characters the way I see them. And maybe that's because I'm surrounded by the most amazing men,from my father to my husband to all of my brothers. They are true heroes!
I'm completely surrounded, not only my father, but also my three brothers, and Sergio, my husband, all four of them work in film. Some are writers, or directors, or cinematographers, all of them. I'm surrounded by men that make films, so much that at some point I felt there was no more room in the family for another filmmaker.For many years I was only working as novelist or writing screenplays for others to direct.
I see my husband and the way he is with his daughters, responsive and alive and sensitive in ways my father would have liked to be. My father would have loved to be a man like that, and he surrounded himself with men like that, but he couldn't be.
I don't believe in categorising a gender, as it makes for discord. People always say, 'That's what men are like' or, 'That's what women do'; I don't really feel that at all. I think that's because I have two fathers, three brothers, a husband and two sons. I'm surrounded by maleness, and I couldn't possibly summarise them into a type.
In my experience as a director, I think there is obviously something of the way men - maybe that's a common point with Shirin - the way men see women in the film, and the way these two characters see each other.
My brothers are so amazing. My older brother Ryan, he is probably the most generous person I know in my life. He's the one that kind of helps me and guides me. All of my brothers help me to be grounded, so I really try to be like my brothers because all of them are so nice and very kind, and I look up to them.
There are some characters in 'The Names' who are very much heroes and others who can only be called villains. But generally, as we get to know them, we see most of the characters are, or at least become, quite nuanced.
I don't write about love because it makes for easy, passive heroes. I write about how love makes my characters more autonomous, more self-possessed, more opinionated and powerful. I write about characters who pursue relationships that make them the people they want to become. I write about love as a superpower.
There are two kinds of men. There are men who are f**king misogynist pigs and then there are men who really love women, who think they’re the most amazing people in the world. And that’s me. Maybe the reason I was promiscuous and wanted to sleep with a lot of them, is that I love them so much.
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
I choose to write characters from the inside because I feel like that's the way I'm gonna get the most honest version of them.
'The L-Word' was such a great show because of the amazing writing and characters, but maybe because it was such a new concept, people couldn't pick up on it, but I think it was down to the dynamic characters and how well done it was.
We're not just brothers, we're twins, so I think we're maybe closer than most brothers.
The few times I've tried to write original screenplays, it's a difficult process because I just don't feel like I know the characters the way I know them after the year or two it takes to write a novel.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
I look at my father. He is one of my heroes. He is such an incredible, classy man. He was such a great father and such a great husband in so many ways, and we lived through some pretty tough times losing my mom. When I see all that he did, I think, wow, that's a really wonderful man.
I look at my father. He is one of my heroes. He is such an incredible, classy man. He was such a great father and such a great husband in so many ways, and we lived through some pretty tough times losing my mom. When I see all that he did, I think, 'Wow, that's a really wonderful man.'
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