A Quote by Genco Gulan

Art shouldn't be only the aesthetics we hang on the wall, but a dynamic to shape the society. — © Genco Gulan
Art shouldn't be only the aesthetics we hang on the wall, but a dynamic to shape the society.
I never went into aesthetics. Aesthetics is what philosophers have to say about art, and a lot of them take an analytics position and raise the question, "What is an art object?" As soon as you fall into that trap, an artist is going to come along and say, "That isn't art - it's something else." That's a hopeless gig.
Art is frightening. Art isn't pretty. Art isn't painting. Art isn't something you hang on the wall. Art is what we do when we're truly alive. An artist is someone who uses bravery, insight, creativity, and boldness to challenge the status quo. And an artist takes it (all of it, the work, the process, the feedback from those we seek to connect with) personally.
When we even use the term 'specialized world,' we already have a problem! We're making art; they are making art... these worlds are not far apart from each other. For instance, pieces of art that hang on a wall can be seen in museums or can be used in a variety of commercial ways. That art is everywhere, so the message is that it's a part of everyday life.
In The Art and Aesthetics of Boxing, David Scott addresses the daunting task of establishing a groundwork for the aesthetics of boxing-and succeeds with consummate authority. . . . In Scott's incisive blend of art history, sociology, and sports writing, he makes a daring and original statement about fighters and the artists who enshrined them.
I don't think people experiment enough with clothing because society tries to tell them what they can and can't wear. I love playing around with different aesthetics and/or mixing around aesthetics to create a totally new look.
I am making art. It's not a job that you've gotta show up to and fill in your slot. This is a dream come true. You get the opportunity to say something, to make a piece of art and hang it on the wall forever. Sometimes you're gonna have to take your time.
There is the specter of "realism" that is still haunting Chinese contemporary art - that art is only an instrument, an instrument to reflect society, that it must be useful for society. Also, I have noticed many Western media outlets are very insistent on understanding contemporary art in China through this kind of realist approach. Sometimes I even sense that they are intent on, as we say in China, "picking bones of politics out of an egg of art." Or perhaps they see art as merely an instrument to reflect society.
The only principle in art is to copy what you see. Dealers in aesthetics to the contrary, every other method is fatal.
I paint digitally now. A pity, in some ways, as the biggest price one pays is that you no longer have a finished piece of physical art to hang on a wall. I miss that terribly.
Some people flinch when you talk about art in the context of the needs of society thinking you are introducing something far too common for a discussion of art. Why should art have a purpose and a use? Art shouldn't be concerned with purpose and reason and need, they say. These are improper. But from the very beginning, it seems to me, stories have indeed been meant to be enjoyed, to appeal to that part of us which enjoys good form and good shape and good sound.
Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.
At one of the annual conventions of the American Society for Aesthetics much confusion arose when the Society for Anesthetics met at the same time in the same hotel.
Art can no longer be art today if it does not reach into the heart of our present culture and work transformatively within it that is, an art which cannot mould society — and through this naturally operate upon the core questions of our society — is not art.
Nothing is beautiful, only man: on this piece of naivete rests all aesthetics, it is the first truth of aesthetics. Let us immediately add its second: nothing is ugly but degenerate man - the domain of aesthetic judgment is therewith defined.
Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.
Art is an invention of aesthetics, which in turn is an invention of philosophers... What we call art is a game.
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