A Quote by Gene Bertoncini

I've had a number of opportunities to hear Andrei Ryabov perform and I am amazed at the high level of creativity, technique and freshness in his playing. — © Gene Bertoncini
I've had a number of opportunities to hear Andrei Ryabov perform and I am amazed at the high level of creativity, technique and freshness in his playing.
I think as long as I feel good and am able to perform on a high level, I will keep playing because I love football so much. After that, I have many options but haven't set any goals.
I personally am into the minstrel technique - if I hear someone playing a lute or playing a crumhorn, it just moves me. I don't know why.
Age is just a number. If someone can perform at 45, who will stop that fellow from playing top-level cricket?
I'm very comfortable playing off-technique, playing press technique. I've just had to do it in so many different systems and switch up.
When I arrived in Texas in 2001, I felt an enormous amount of pressure. I felt like I had all the weight of the world on top of me, and I needed to perform, and perform at a high level every day.
A young pianist & composer who has demonstrated an exceptional creativity, in both his playing & his writing, as well as showing us all, his very strong commitment & motivation to aim for high musical goals. Talent like his is rare.
On every level I have played I've heard, `Am I going to perform or not because of my size?' I think I have proved to people I can perform regardless of how big I am.
There's a lot of guys who have great technique, people practicing a lot and you hear them, but there's not that many people who when you hear them, you go, "Man, that guy must practice a lot," right? Then you hear Miles Davis play, and you go, "Man, I had a girlfriend like that." That's a whole another level of musicianship.
I did not want to be the accompanist to an operatic star. But I was at a very high level for a 16-year-old, and I maintained that. So really good, but more impressive than classically trained. So I had to take a crash course in classical technique because I really wanted to get away with playing this character [in Florence Foster Jenkins] without people saying, "That's not really accurate."
Setbacks in life are opportunities to perform at a new level.
I don't feel that I was often compartmentalized as an African-American actor, yet I am fully aware of the plight that actors, directors and producers of color face in our industry. I choose to focus on being proactive in creating opportunities for myself and others while acknowledging that we are not playing on a level playing field.
I saw him playing on television and was struck by his technique, so I asked my wife to come look at him. Now I never saw myself play, but I felt that this player is playing with a style similar to mine, and she looked at him on Television and said yes, there is a similarity between the two...his compactness, technique, stroke production - it all seemed to gel!
Watching the Dodgers perform at a really high level is a nice reminder to us as to how high the bar is.
And that's what innocence is. It's simple and trusting like a child, not judgmental and committed to one narrow point of view. If you are locked into a pattern of thinking and responding, your creativity gets blocked. You miss the freshness and magic of the moment. Learn to be innocent again, and that freshness never fades.
I am always amazed how much a certain facility with a special and apparently narrow technique can accomplish.
Keeping pushing, Andrei, and you and I are going to play a game. (Esperetta) And what game is that, Princess? (Andrei) Find the Ball in My Hand. (Esperetta) I don’t see a ball, Princess. (Andrei) Oh, you will, just as soon as I snap it off your body. (Esperetta)
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