A Quote by Gene Black

There is joy in feeling the bristles of a quality brush, seeing the richness and lush color of truly good pigment flowing onto the paper or canvas. The cheap stuff just makes for harder work and lesser results.
Never, never do I set to work on a canvas in the state it comes in from the shop. I provoke accidents - a form, a splotch of color. Any accident is good enough. I let the matiere decide. Then I prepare a ground by, for example, wiping my brushes on the canvas. Letting fall some drops of turpentine on it would do just as well. If I want to make a drawing I crumple the sheet of paper or I wet it; the flowing water traces a line and this line may suggest what is to come next.
Most of the paint I use is a liquid, flowing kind of paint. The brushes I use are more a sticks rather than brushes – the brush doesn’t touch the surface on the canvas, it’s just above [so] I am able to be more free and to have greater freedom and move about the canvas, with greater ease.
There are some people who have the quality of richness and joy in them and they communicate it to everything they touch. It is first of all a physical quality; then it is a quality of the spirit.
You may think you don't have talents, but that is a false assumption, for we all have talents and gifts, every one of us. The bounds of creativity extend far beyond the limits of a canvas or a sheet of paper and do not require a brush, a pen, or the keys of a piano. Creation means bringing into existence something that did not exist before-colorful gardens, harmonious homes, family memories, flowing laughter.
You can only generate ideas when you put pencil to paper, brush to canvas... when you actually do something physical.
When you work on a text of a lesser quality, as the interpreter or the delivery person, you are obliged to try to fill it out as you see so many people do in lesser work.
If I’d known you were such a lush, I’d have given you the cheap stuff. Going to go out with a bang, are you?
Ridley Scott's company makes great work in whatever arena, whether it's movies or commercials or television. They just do really quality stuff, so you know it's going to be quality.
The stuff of thought is the seed of the artist. Dreams form the bristles of the artist's brush. As the eye functions as the brain's sentry, I communicate my innermost perceptions through the art, my worldview.
I like a canvas to breathe and be alive. Be alive is the point. And, as the limitations are something called pigment and canvas, let's see if I can do it.
Nothing is so beautiful as spring- When weeds, in wheels, shoot long and lovely and lush; Thrush's eggs look little low heavens, and thrush Through the echoing timber does so rinse and wring The ear, it strikes like lightnings to hear him sing; The glassy peartree leaves and blooms, they brush The descending blue; that blue is all in a rush With richness; the racing lambs too have fair their fling. What is all this juice and all this joy? A strain of the earth's sweet being in the beginning In Eden garden.-Have, get, before it cloy.
As well as tasting fantastic, blackberries are good for you. Anthocyanin isn't just a pigment, it's a flavonoid, a heroic antioxidant! The stuff of superfoods!
This is truly marvelous work full of mystery, nostalgia, joy, The Color of Whimsy.
Dreams form the bristles of the artist's brush.
When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
When I sit down to write a book, I do not know where the energy and the words come from. I just sit down, and soon it is flowing through my hand and onto the paper.
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