A Quote by Gene Fowler

Don't be dismayed by the opinions of editors, or critics. They are only the traffic cops of the arts. — © Gene Fowler
Don't be dismayed by the opinions of editors, or critics. They are only the traffic cops of the arts.
Critics... They're like traffic cops. They say what they have to say, then leave, and another guy moves in ,and he has his say - and it's often just the opposite. The result is either critical acclaim or critical murder, and neither has any bearing on my music or direction.
The arts teach students that small differences can have large effects. The arts traffic in subtleties.
They say no one knows if we all see red the same way. Except traffic cops.
Particularly as a writer, it is my job to ignore social critics, or the response that social critics might have when it comes to the opinions of my characters, the way they talk, or anything that can happen to them.
His idea of traffic safety is going too fast for the cops to catch up.
The New Yorker's' drama critics have always had a comparable authority because, for the most part, the magazine made it a practice to employ critics who moonlighted in the arts. They worked both sides of the street, so to speak.
'The New Yorker's' drama critics have always had a comparable authority because, for the most part, the magazine made it a practice to employ critics who moonlighted in the arts. They worked both sides of the street, so to speak.
Everything in high school was reversed. If marijuana was supposed to make you mellow, I would be like, "The cops, the cops, the cops..." I was what you call the buzz kill.
Art editors and critics - people like me - have become a courtier class.
My parents were dismayed by my love of horror movies as a young girl, then even more dismayed when I kept rooting for Dracula to win instead of Van Helsing.
My job is to write opinions. I decide cases and write opinions. It is not to respond to idiocy and critics who make statements that are unfounded. That doesn't mean that people shouldn't have constructive criticisms, but it should be constructive.
It seemed to me... that the only valid people to deal with crime were cops, and I would like to make the lead character, rather than a single person, a squad of cops.
Don't let anyone discourage you from writing. If you become a professional writer, there are plenty of editors, reviewers, critics, and book buyers to do that.
Why aren't there enough black cops out there? We need black cops to come in and educate some of the white cops who have issues.
There's a bigger percentage of good cops than bad cops. But the bad cops should be penalised like regular people.
Critics for established venues are vetted by editors; they usually demonstrate a certain objectivity; and they come with known backgrounds and specialized knowledge.
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