A Quote by Gene Hackman

Hollywood loves to typecast, and I guess they saw me as a violent guy. — © Gene Hackman
Hollywood loves to typecast, and I guess they saw me as a violent guy.
People ask me, 'Are you worried you're going to be typecast as a John Locke type of guy?' I say he's the perfect guy to be typecast as! He's vulnerable and ambitious and sort of unstable. It was a good actor's role.
I don't really worry about being typecast much. I mean, everyone in Hollywood is typecast to a degree.
I guess they often cast me as the bad guy, because I'm not, er, conventional looking. I look sort of violent. I'm the odd one out, the outsider.
The best compliment that has ever been given to me was, I was at the airport one day and a guy came in and said, 'Lionel, my wife loves you, the kids love you, my mother-in-law loves you, the family loves you.'
The best compliment that has ever been given to me was, I was at the airport one day and a guy came in and said, 'Lionel, my wife loves you, the kids love you, my mother-in-law loves you, the family loves you.
The first five years of my career, I was Inmate #1, Bad Guy #1 and Mean Guy #1. I had a great career going, until somebody told me that I was typecast. I said, "Well, what's typecast?" And they said, "Well, you're always playing the mean Chicano dude with tattoos." I thought about that and I said, "Wait a minute! I am the mean Chicano dude with tattoos, so somebody is getting it right."
I guess at that moment in time I had a certain... presence? A certain level of presence in the industry. But that was at Madonna's request. There was a concept for the video ["Material Girl"], and the idea was that it was kind of a Howard Hughes and Marilyn Monroe sort of idea, that there was this guy behind the scenes making it all happen. And she saw me as that guy, so she asked for me.
And in the racial climate of this country today, it is anybody's guess which of the 'extremes' in approach to the black man's problems might personally meet a fatal catastrophe first - 'non-violent' Dr. King, or so-called 'violent' me.
Everybody who loves me calls me Sissy, so I guess that's just who I am. When I'm 80, they'll still be calling me Sissy. Oh, well, I guess there are worse things.
Hollywood typecast me as the secretary. I could have worked as the quirky secretary for the rest of my life, but I decided not to do that.
When I was young, I did Baby Guess and Guess Kids - Paul Marciano saw me when I was a baby and decided I was going to be his next whatever. After Guess Kids, my mom made me stop. She would not let me sign with an agency until I was 17 because she wanted me to be a normal kid and accept myself for who I was.
I didn't want to take the typical action roles that everybody was expecting me to take, because I was going to get typecast as that guy, the action guy who didn't have anything really bright to say and who just kicked in doors and punched people in the face and shot people and drove off in a cool car. I didn't want to be that guy.
Hollywood loves to pat itself on the back and espouse their rhetorically liberal points of view while they continue to be the 1 percent and point the finger at the other guy.
My friends back from the East Coast jokingly call me 'Hollywood,' and they assume I'm out at Hollywood parties, but I'm a domesticated guy with 3 kids.
(a womanist) 3. Loves music. Loves dance. Loves the moon. Loves the Spirit. Loves love and food and roundness. Loves struggle. Loves the Folk. Loves herself. Regardless.
After I did 'Brooklyn,' I did about five or six violent films in one way or another, and not always with me being the bad guy, but something violent about it to keep the street cred up, really.
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